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    Futuromania. Elektronische Träume von der Zukunft

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    Raum und Handlung. Raumtheorien des Städtischen

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    On Withdrawal

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    Anarchival Practices. The Clanwilliam Arts Project as Re-…

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    Singular Pasts. The "I" in Historiography

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    Flowcharting. From Abstractionism to Algorithmics in Art…

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    Ein Bestiarium des Anthropozäns. Über hybride Mineralien,…

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    Social Sauna – Bathing and Wellbeing

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    The Politics of Vibration. Music as a Cosmopolitical…

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    A Theory of Assembly. From Museums to Memes

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    Raving

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    Die Neuordnung der Küchen

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    A Room With A View

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    Enfleshed. Ecologies of Entities and Beings

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    Productive Archiving. Artistic Strategies, Future Memories…

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    Postcards From The Anthropocene. Unsettling The Geopolitics…

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    Graphic Design in the Post-Digital Age. A survey of…

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    Publishing as method. Ways of Working Together in Asia

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    Technologie und Race. Essays der Migration

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    Border Environments. Centre for Research Architecture

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    Magnetizdat DDR. Magnetbanduntergrund Ost 1979 - 1990

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    Adaptive Reuse in Architecture. A Typological Index

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    The Social Dimension of Social Housing

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    Architectures of Spatial Justice

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    Aesthetics of Pop Music

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    Pauline Oliveros. Quantum Listening

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    Dance Your Way Home: A Journey Through the Dancefloor

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    Another Reading. Contemporary Book Design from China

minor cosmopolitan. Thinking Art, Politics, and the Universe Together Otherwise

Cosmopolitanism is a theory about how to live together. The earliest formulation of cosmopolitanism in the West could be dated to as early as the fourth century BCE in ancient Greece by Diogenes, who famously said that he was a “citizen of the world – kosmopolitês,” an idea later picked up by Immanuel Kant, the German philosopher who proposed a philosophy of a world of “perpetual peace.” When cosmopolitanism first emerged as a political idea for modernity in the European Enlightenment, the project embraced the liberal promises of a globalizing economy, yet remained oblivious to, and even complicit with, capitalism, slavery and colonialism. It centered on the male, bourgeois, and white liberal subject, irrespective of the ongoing disenfranchisement, dehumanization, and extermination of its Others.
At the dawn of the 21st century, and in the wake of rapid globalization however, academics, politicians and other pundits enthusiastically declared cosmopolitanism to be no longer just a philosophical ideal, but a real, existing fact. Across the globe, they argued, people were increasingly thinking and feeling beyond the nation, considering themselves citizens of the world. Meanwhile, the global ecological crisis worsens, fascism with different outfits returns in many places of the world, the repression of women, sexual, racial, class and other minorities on a global scale persists; the so called “refugee crisis” inundates the mediascape and political spectacle. Not much of those cosmopolitan promises have left it seems. Perhaps precisely because of this, however, it seems to be an absolute necessity for scholars, activists, and artists today to face the complexities and promises cosmopolitanism has raised although not adequately answered. What has happened to the cosmopolitan promise, and who betrayed it?
“Minor cosmopolitanisms” wishes to challenge the underlying premises of ‘major’ cosmopolitanism without letting go of the unfulfilled emancipatory potential of the concept at large. It wants to rethink cosmopolitanisms in the plural, and trace multiple origins and trajectories of cosmopolitan thought from across the globe. Regarding cosmopolitanisms as emerging through diverse locally, historically and politically specific practices, minor cosmopolitanisms are predicated on difference without abandoning the quest for a shared vision of conviviality and justice. It seeks to answer: how to live at once with our difference and shared struggle? How to think our complicity with even those we most resist? Who sustains the world’s flourishing despite all this?


Zairong Xiang (Hg.)
minor cosmopolitan. Thinking Art, Politics, and the Universe Together Otherwise
Diaphanes, 2020