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    Die Meisterhäuser in Dessau. Bauhaus Taschenbuch 10

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    Manfred Lehmbruck. Architektur um 1960

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    Timing: On the Temporal Dimension of Exhibiting

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    Berlin Now. The Rise of the City and the Fall of the Wall

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    Casablanca Chandigarh. A Report on Modernization

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    Invitation to Architecture. Discovering Delight in the…

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    Buildings Must Die. A Perverse View of Architecture

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    Le Meilleur des (deux) Mondes. Maisons et Jardins…

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    Inter-esse

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    Berlin Wonderland. Wild Years Revisited, 1990–1996

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    Poor but Sexy. Culture Clashes in Europe East and West

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    Agonistik. Die Welt politisch denken

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    Another Space: Textile Spaces

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    Cool World

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    Sculpture Today

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    I can not repeat what I hear

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    To Do. Die neue Rolle der Gestaltung in einer veränderten…

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    The Rhetorical Foundations of Society

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    Cute Farm Animals

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    Panaesthetics. On the Unity and Diversity of the Arts

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    Performing the Sentence. Research and Teaching in…

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    Broadcasting Buildings. Architecture on the Wireless, 1927-…

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    re.act.feminism. A Performing Archive

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    Material Innovation. Architecture

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    The Right to Brand

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    An Ecosystem of Excess

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    The Acoustic City

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    Akram Zaatari. Film as a Form of Writing

The Monument Upside Down. The City Walls of Istanbul

The Monument Upside Down investigates local legends against the background of the urban regeneration process and forced evictions that are taking place around the historical Land Walls of Istanbul.
The Monument Upside Down is an outcome of a reseach based art project initiated by Sevgi Ortaç during 2009-2010.
The project consists of documentation, interviews, articles and artefacts produced though several meetings, conversations and invitations.
In response to the ongoing transformation of the city, The Monument Upside Down traces the The Land Walls of Istanbul today once more as a defense structure. The complex spatiality of the wall that renews itself constantly resists the top down monumental, ideological and political indications and initiations that follow. Today looking at the Land Walls once more as a defense structure brings us face to face with the spatialities that are practiced at the edges of the city and the narratives that empower them.
The Monument Upside Down is an attempt to accumulate different forms of knowledge production and narratives on spatial experiences in order to generate collaborative processes for an understanding of the transformation, appropriation, sharing and manifestation of habitable spaces.
http://www.zetfoundation.nl/IAF2010/sevgi.html


Sevgi Ortac
The Monument Upside Down. The City Walls of Istanbul
Dutch Art Institute, 2011, 978-90-73025-13-4