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  • HfG-Archiv Museum Ulm, Katharina Kurz,…

    Nicht mein Ding − Gender im Design

  • Clog

    Clog 17. Cannabis

  • Frédéric Gros

    Disobey! A Philosophy of Resistance

  • Hal Foster

    What Comes after Farce?

  • Tim Bergfelder, Erica Carter, Deniz…

    The German Cinema Book (second edition)

  • Dieuwertje Hehewerth

    Salticidae Icius - a Research on Independent Art Spaces and…

  • Sruti Bala

    The gestures of participatory art

  • Christopher Sweetapple, Hein-Jürgen Voß…

    Intersektionalität. Von der Antidiskriminierung zur…

  • Anneke Lubkowitz (Hg.)

    Psychogeografie

  • Florian Hertweck (Hg.)

    Architektur auf gemeinsamem Boden. Positionen und Modelle…

  • Roger Paez

    Operative Mapping. Maps as Design Tools

  • Silvia Federici

    Jenseits unserer Haut. Körper als umkämpfter Ort im…

  • Dóra Hegyi, Zsuzsa László, Franciska…

    Creativity Exercises. Emancipatory Pedagogies in Art and…

  • Bill Balaskas, Carolina Rito (Eds.)

    Institution as Praxis

  • Julian Hanna

    The Manifesto Handbook. 95 Theses on an Incendiary Form

  • Sandra Teitge (Hg)

    Goethe in the Skyways

  • Samantha Hardingham (ed.)

    Cedric Price Works 1958 - 2003. A Forward-Minded…

  • Markus Krajewski, Harun Maye (Hg)

    Universalenzyklopädie der menschlichen Klugheit

  • Matt Anniss

    Join the Future. Bleep Techno and the Birth of British Bass…

  • Milo Sweedler

    Allegories of the End of Capitalism. Six Films on the…

  • HfG Ulm (Hg.)

    Hans Gugelot: Die Architektur des Design

  • David Rattray

    How I Became One of the Invisible (New Edition)

  • Sarah T. Roberts

    Behind the Screen. Content Moderation in the Shadows of…

  • Jessica Bruder, Dale Maharidge

    Snowden’s Box. Trust in the Age of Surveillance

  • Jungmyung Lee, Lieven Lahaye (eds.)

    Real-Time Realist #2: Typefaces don't care, Typefaces…

  • Oliver Ruf, Stefan Neuhaus (Hg.)

    Designästhetik. Theorie und soziale Praxis

  • Yasha Levine

    Surveillance Valley. The Secret Military History of the…

  • Sandra Umathum, Jan Deck (Hg)

    Postdramaturgien

  • Natasha Stagg

    Sleeveless. Fashion, Image, Media, New York 2011-2019

  • Kübra Gümüsay

    Sprache und Sein

  • Christine Schranz

    Augmented Spaces and Maps. Das Design von kartenbasierten…

  • IDEA Magazine

    IDEA 389. Feminist Moments: Thoughts on graphic design…

  • Patrick Cowley

    Mechanical Fantasy Box: The Homoerotic Journal of Patrick…

  • Ted Gioia

    Music - A Subversive History

  • Ernst Hubeli

    Die neue Krise der Städte

  • Mike Davis, Jon Wiener

    Set the Night on Fire - L.A. in the Sixties

  • Marietta Kesting, Maria Muhle, Jenny…

    Hybride Ökologien

  • Pablo Sendra, Richard Sennett

    Designing Disorder. Experiments and Disruptions in the City

  • Annette Michelson, Kenneth White (Eds.)

    October Files 24: Michael Snow

  • Isabelle Sully (Ed.)

    Ruth Wolf-Rehfeldt: Introverse Arrangements

  • Bryndís Snæbjörnsdóttir, Mark Wilson,…

    Beyond Plant Blindness : Seeing the Importance of Plants…

  • George F.

    Good Times in Dystopia

  • Nathaniel Coleman

    Materials and Meaning in Architecture

  • Marion Hohlfeldt, Frank Popper

    GRAV : Groupe de Recherche d'Art Visuel "…

  • Marilyn Chase

    Everything She Touched. The Life of Ruth Asawa

  • Robert B. Pippin

    Filmed Thought. Cinema as Reflective Form

  • Bernd M. Scherer (Hg.)

    Paris Calligrammes. Eine Erinnerungslandschaft von Ulrike…

  • Jennifer Clark

    Uneven Innovation. The Work of Smart Cities

  • David Scheller

    Demokratisierung der Postdemokratie. Städtische soziale…

  • Nezar AlSayyad, Mark Gillem, David…

    Whose Tradition? Discourses on the Built Environment

  • Sally Stein

    Migrant Mother, Migrant Gender

  • Jörg Johnen

    Marmor für alle. Zur Kunst im öffentlichen Raum in Berlin

  • Oreet Ashery (Ed.)

    How We Die Is How We Live Only More So

  • Ben Kafka

    The Demon of Writing. Powers and Failures of Paperwork

  • Sandra Hofmeister (Hg.)

    Snøhetta: Architektur Und Baudetails / Architecture and…

  • Steffen Damm, Lukas Drevenstedt

    Clubkultur. Dimensionen eines urbanen Phänomens

  • Volker Pantenburg (Hg.)

    Harun Farocki. Ich habe genug!

  • David Joselit

    Heritage and Debt. Art in Globalization

  • Carrie Noland

    Merce Cunningham. After the Arbitrary

  • Didier Eribon

    Betrachtungen zur Schwulenfrage

  • Susan Jahoda, Caroline Woolard

    Making and Being: Embodiment, Collaboration, and…

  • Bill Gaver, Phoebe Sengers

    The Presence Project. Computer Related Design Research…

  • KW, ZK/U (Hg.)

    Statista. Staatskunst am Haus der Statistik

  • Germaine R. Halegoua

    Smart Cities

  • Alain Badiou

    The Pornographic Age

  • Christina Thomson (Hg.)

    Das Grafische Atelier Stankowski + Duschek

  • Divya Victor

    Scheingleichheit. Drei Essays

  • Mona Chollet

    Hexen. Die unbesiegte Macht der Frauen

  • Andrea Long Chu

    Females. Everyone is female, and everyone hates it

  • Mareile Pfannebecker, James A. Smith

    Work Want Work. Labour and Desire at the End of Capitalism

  • Matthew J. Wolf-Meyer

    Theory for the World to Come. Speculative Fiction and…

  • Dan Byrne-Smith

    Science Fiction

  • Will Schrimshaw

    Immanence and Immersion. On the Acoustic Condition in…

  • Anette Baldauf

    Spaces of Commoning: Artistic Research and the Utopia of…

  • Genesis Breyer P-Orridge, Carl…

    Genesis Breyer P-Orridge. Sacred Intent. Conversations with…

  • Architecten De Vylder Vinck Taillieu

    Variete / Architecture / Desire

  • F. Laranjo, L. Prado, P. Oliveira, ACED…

    Modes of Criticism 5. Design Systems

  • Miodrag Kuc (Ed.)

    Hacking Urban Furniture. HUF

  • Constantine Verevis

    Flaming Creatures

  • Cornelius Cardew

    Stockhausen Serves Imperialism

  • Rebecca Coleman

    Glitterworlds. The Future Politics of a Ubiquitous Thing

  • McKenzie Wark

    Reverse Cowgirl

  • Laura Kurgan, Dare Brawley (Ed.)

    Ways of Knowing Cities

  • Jonathan Fardy

    Althusser and Art

  • Thomas Piketty

    Kapital und Ideologie

  • Claudia Blümle, Claudia Mareis,…

    Visuelle Zeitgestaltung

  • Yanni Alexander Loukissas

    All Data Are Local. Thinking Critically in a Data-Driven…

  • Eileen Myles

    Chelsea Girls

  • Kunsthaus Bregenz

    Ed Atkins

  • Daniel Martin Feige, Florian Arnold,…

    Philosophie des Designs

  • Nancy Fraser, Rahel Jaeggi

    Kapitalismus. Ein Gespräch über kritische Theorie

  • Silvia Federici

    Beyond The Periphery Of The Skin. Rethinking, Remaking,…

  • João Carmo Simões

    Gulbenkian. Photography by André Cepeda

  • Mateo Kries, Jochen Eisenbrand (Hg.)

    Home Stories. 100 Jahre 20 visionäre Interieurs

  • Silvia Federici

    Die Welt wieder verzaubern. Feminismus, Marxismus &…

  • Ilka and Andreas Ruby (Ed.)

    The Materials Book

  • Daniela Comani

    Planet Earth: 21st Century

  • Judith Butler

    The Force of Non-Violence. An Ethico-Political Blind

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739