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  • Guillaume Sibertin-Blanc

    State and Politics: Deleuze and Guattari on Marx

  • Christoph Keller

    Paranomia

  • Philipp Meuser

    Seismic Modernism. Architecture and Housing in Soviet…

  • Lívia Páldi, Olav Westphalen (Ed.)

    Dysfunctional Comedy. A Reader

  • Cartha

    On Relations in Architecture

  • Kerstin Stakemeier, Susanne Witzgall

    Die Gegenwart der Zukunft

  • Michaela Meise

    Eshi Addis Ababa

  • Takahiro Kurashima

    Poemotion 3

  • Han Byung-Chul

    Die Austreibung des Anderen. Gesellschaft, Wahrnehmung und…

  • Cate St Hill

    This is Temporary. How Transient Projects are Redefining…

  • Carlo Ratti, Matthew Claudel

    The City of Tomorrow: Sensors, Networks, Hackers, and the…

  • Henri Lefebvre

    Metaphilosophy

  • Eduard Helman

    Rhetoric of Logos: A Primer for Visual Language

  • Marie Neurath, Robin Kinross

    Die Transformierer. Entstehung und Prinzipien von Isotype

  • P. Lewis, M. Tsurumaki, D. J. Lewis

    Manual of Section

  • W. Nägeli, N. Kirn Tajeri (Hg.)

    Kleine Eingriffe: Neues Wohnen im Bestand der…

  • Kathryn Brown (Ed.)

    Interactive Contemporary Art: Participation in Practice

  • Peter Granser

    El Alto. Freddy Mamani Silvestre

  • Omar Kholeif (Ed.)

    Electronic Superhighway. From Experiments in Art and…

  • Bill Caplan

    Buildings are for People. Human Ecological Design

  • Hannah Black

    Dark Pool Party

  • R. Pasel, A. Hagner, H. Drexler, R. Boch

    Home not Shelter! Gemeinsam leben statt getrennt wohnen

  • Alessandro Biamonti

    Archiflop. A guide to the most spectacular failures in the…

  • Isabell Lorey, Gundula Ludwig, Ruth…

    Foucaults Gegenwart. Sexualität - Sorge - Revolution

  • Brigitta Kuster

    Choix d'un passé. Transnationale Vergegenwärtigungen…

  • Simon Roloff

    Der Stellenlose: Robert Walsers Poetik des Sozialstaats

  • Jace Clayton (aka DJ Rupture)

    Uproot. Travels in 21st-Century Music and Digital Culture

  • Nicolas Bourriaud

    The Exform

  • Nick Gallent, Daniela Ciaffi (Eds.)

    Community Action and Planning: Contexts, Drivers and…

  • Blanco, Galan, Carrasco, Llopis, Vezier…

    After Belonging: Objects, Spaces, and Territories of the…

  • Sally Banes

    Terpsichore in Sneakers. Postmodern Dance

  • Sven Quadflieg, Gregor Theune (Eds.)

    Nadogradnje. Urban Self-Regulation in Post-Yugoslav Cities

  • Regina Bittner, Elke Krasny (Hg)

    Auf Reserve: Haushalten! Historische Modelle und aktuelle…

  • Karin Harrasser

    Prothesen. Figuren einer lädierten Moderne

  • Frieze Magazine

    frieze A to Z of Contemporary Art

  • Leonardo Finotti

    A Collection of Latin American Modern Architecture

  • Werner Sewing

    No more learning from Las Vegas. Stadt, Wohnen oder…

  • Yuk Hui

    On the Existence of Digital Objects

  • Alina Serban & Kalliopi Dimou,…

    Enchanting Views: Romanian Black Sea Tourism Planning and…

  • David Blamey (Ed.)

    Specialism

  • Gabrielle Cody, Meiling Cheng (Eds.)

    Reading Contemporary Performance. Theatricality Across…

  • Andre Lepecki

    Singularities. Dance in the Age of Performance

  • M. R. Stein, L. Miller, M. Henrichs (Hg)

    Blueprint for Counter Education. Curriculum, Handbook, Eall…

  • Helen Marten

    Parrot Problems

  • Owen Hatherley

    The Chaplin Machine. Slapstick, Fordism and the Communist…

  • Lina Dokuzović

    Struggles for Living Learning. Within Emergent Knowledge…

  • Marcus Quent (Hg)

    Absolute Gegenwart

  • Fabian Frenzel

    Slumming It: The Tourist Valorisation of Urban Poverty

  • Keller Easterling

    Extrastatecraft. The Power of Infrastructure Space

  • Yuk Hui, Andreas Broeckmann

    30 Years after Les Immatériaux: Art, Science and Theory

  • Jacques Lucan

    Composition, Non-Composition. Architecture and Theory in…

  • Seth Price

    Fuck Seth Price (Second Edition, Hardcover)

  • J. Herzog, P. de Meuron

    Herzog de Meuron. Trügerische Transparenz. Beobachtungen…

  • Florentine Sack

    Open House 2. Gestaltungskriterien für eine neue…

  • Beti Zerovc

    When Attitudes Become the Norm: The Contemporary Curator…

  • Stuart Bailey (Hg.)

    Extended Caption (DDDG)

  • Luca Lo Pinto, Vanessa Joan Müller (Eds…

    Frederick Kiesler. Function Follows Vision, Vision Follows…

  • Thun-Hohenstein, Bogner, Lind, Vischer…

    Friedrich Kiesler – Lebenswelten / Life Visions

  • Ruben Pater

    The Politics of Design: A (Not So) Global Manual for Visual…

  • Giovanna Silva

    Syria, A Travel Guide to Disappearance

  • Amie Siegel

    Double Negative. Ricochet 10

  • Jens Balzer

    Pop. Ein Panorama der Gegenwart

  • Timothy D. Taylor

    Music and Capitalism. A History of the Present

  • GRAFT

    Architecture Activism

  • Nav Haq (Ed.)

    RAVE. Rave and its Influence on Art and Culture

  • Trudy Nieuwenhuys, Gemeente Museum Den…

    Constant. New Babylon. To Us, Liberty

  • Borja Ballbé

    Ordinary Landscapes. Paisajes comunes

  • Riet Wijnen (Ed.)

    abstraction creation, art non figuratif 1932

  • A. Lepik, V. S. Bader (Hg)

    World of Malls. Architekturen des Konsums

  • C. Menrad, H. Creighton (Eds.)

    William Krisel's Palm Springs

  • Brandon Labelle

    Overheard and Interrupted

  • Jessica Helfand

    Design. The Invention of Desire

  • Stephen Prina

    galesburg, illinois+

  • Agnés Laube, Michael Widrig

    Archigrafie. Schrift am Bau

  • Marc Angélil, Charlotte Malterre-…

    Housing Cairo

  • Antje Ehmann, Carles Guerra (Eds.)

    Harun Farocki. Another Kind of Empathy

  • T. J. Demos

    Decolonizing Nature: Contemporary Art and the Politics of…

  • Hans Ulrich Obrist

    Lives of the Artists, Lives of the Architects

  • Gloria Moure(Ed.)

    Behind the facts. Interfunktionen 1968-1975

  • Roberto Simanowski

    Facebook-Gesellschaft

  • Berliner Hefte zu Geschichte und…

    Die Mauerpark-Affäre

  • Barnabas Calder

    Raw Concrete. The Beauty of Brutalism

  • François J. Bonnet

    The Order of Sounds. A Sonorous Archipelago

  • Leon van Schaik

    Practical Poetics in Architecture

  • Pozsár Péter

    Builders. Socially engaged Architecture from Hungary

  • Malzacher, Öğüt, Tan (eds.)

    The Silent University - Toward a Transversal Pedagogy

  • Markus Miessen

    Crossbenching: Toward a Proactive Mode of Participation,…

  • Bundesamt für Kultur (CH)

    Betrachtungen einer Ungestalt. Die schönsten Schweizer…

  • Francesca Balena Arista

    Poltronova Backstage: Archizoom, Sottsass and Superstudio.…

  • David Joselit

    Nach Kunst

  • Erika Balsom, Hila Peleg

    Documentary Across Disciplines

  • Kerstin Stakemeier, Marina Vishmidt

    Reproducing Autonomy. Work, Money, Crisis and Contemporary…

  • Frank Berzbach

    Formbewusstsein. Eine kleine Vernetzung der alltäglichen…

  • Jens Hoffmann, Claudia J. Nahson (eds.)

    Roberto Burle Marx: Brazilian Modernist

  • Jacek Mrowczyk

    VeryGraphic. Polish Designers of the 20th Century

  • Sabine Bitter & Helmut Weber

    Front, Field, Line, Plane. Researching the Militant Image

  • Annette Gigon, Mike Guyer, Felix…

    Residential Towers

  • 9. Berlin Biennale für zeitgenössische…

    The Present in Drag

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739