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    Fluency Fabrics

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    Frei Otto. Denken in Modellen

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    Adolf Loos on Trial

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    Reactivate Athens

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    The Word for World is Still Forest

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    Hotel Theory Reader

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    Alle wollen wohnen: Gerecht. Sozial. Bezahlbar

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    The True Life

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    Life. A Novel

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    The Music of the Future

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    Learning from Logistics. How Networks Change our Cities

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    Architecture Matters

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    Institutionskritik als Methode. Hegemonie und Kritik im…

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    Partners in Design: Alfred H. Barr Jr. und Philip Johnson.…

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    Was ist ein Volk?

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    On the Eve of the Future. Selected Writings on Film

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    Beyond Objecthood. The Exhibition as a Critical Form since…

  • Alexander Vasudevan

    The Autonomous City: A History of Urban Squatting

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    Here/There. Telepresence, Touch, and Art at the Interface

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    Theorie der modernen Architektur. Programmatische Texte

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    Cultural Revolution: Aesthetic Practice after Autonomy

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    Tell Them I Said No

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    Taut baut: Geschichten zur Architektur von Max Taut

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    Former West: Art and the Contemporary after 1989

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    The Architecture of Psychoanalysis. Spaces of Transition

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    the looks, not the books (allaphbed '19)

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    Breuer

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    Symptoms of the Planetary Condition: A Critical Vocabulary

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    Flows and Counterflows. Globalisation in Contemporary Art

  • Andreas & Ilka Ruby

    Infrastructure Space

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    Modernism in Scandinavia: Art, Architecture and Design

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    Marx-Engels-Forum - Ja!

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    Glänzende Städte. Geschlechter- und andere Verhältnisse in…

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    The Adaptable City 2: Ergebnisse /Results

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    Fast Pefrekt. Die Kunst, hemmungslos zu scheitern. Wie aus…

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    Expanded Architecture. Temporal Spatial Practices

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    Wang Shu. Amateur Architecture Studio

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    The Question Concerning Technology in China. An Essay in…

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    KAYA. KUB Arena Vol. 4: Ausst. Kunsthaus Bregenz 2015

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    After the Planes. A Dialogue about Movement, Perception and…

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    Archifutures Volume 1: The Museum. A Field Guide to the…

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    Körpertreffer. Zur Ästhetik der nachpopulären Künste

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    Zwischen Raubtier und Chamäleon. Texte zu Film, Medien,…

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    Georg

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    Object-Oriented Feminism

  • Hilary Sample

    Maintenance Architecture

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    I Love Dick

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    Machine Art in the Twentieth Century

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    The Practice of Modernism: Modern Architects and Urban…

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    Architekturen unserer Arbeit

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    Bunte Stadt - Neues Bauen: Die Baukunst von Carl Krayl

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    Hospitality: Hosting Relations in Exhibitions (Cultures of…

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    Absolute Architekturbeginner. Schriften 2004-2014

  • Armen Avanessian

    Miamification

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    Adaptive Reuse. Extending the Lives of Buildings

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    Iggy Pop Life Class

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    Ruralism. The Future of Villages and Small Towns in an…

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    Berlin Transfer. Open Living Structures

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    SMAQ. Giraffes, Telegraphs, and Hero of Alexandria. Urban…

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    Counterpreservation. Architectural Decay in Berlin Since…

  • Jennie Gottschalk

    Experimental Music Since 1970

  • IDEA Magazine

    IDEA 376. Graphic Designers and Exhibitions

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    Opus Moderne. Die Wand aus glatt geschaltem Sichtbeton

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    Practicable. From Participation to Interaction in…

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    Das neue Grab

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    Hybrid Modernism. Movie Theatres in South India

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    Welcome to AirSpace. On Airbnb, Uber, Facebook,..

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    Platform Capitalism

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    Die Welt von Charles und Ray Eames

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    Housekeeping by Design. Hotels and Labor

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    Berlin, absolute Stadt. Eine kleine Anthropologie der…

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    Fundamental Acts. Life, Education, Ceremony, Love, Death

  • Yasminah Beebeejaun

    The Participatory City

  • Deyan Sudjic

    The Language of Cities

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    Das Manifest für Gefährten: Wenn Spezies sich begegnen -…

  • Oliver Hartung

    Iran. A Picture Book

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    Die Inszenierung eines Mythos. Le Corbusier und die…

  • Peter Allison (Ed.)

    David Adjaye. Constructed Narratives

  • Neil Brenner

    Critique of Urbanization. Selected Essays

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    Radically Simple

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    Whole Earth Field Guide

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    Modern Berlin Map: Guide to 20th Century Architecture in…

  • Thomas Meinecke

    Selbst

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    The Urban Apparatus. Mediapolitics and the City

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    Rituals and Walls: The Architecture of Sacred Space

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    Neue Standards. Zehn Thesen zum Wohnen

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    Die Welt reparieren: Open Source und Selbermachen als…

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    Slow Reader: A Resource for Design Thinking and Practice

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    Taking a Line for a Walk: Assignments in design education

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    Abdrift des Wollens. Eine Theorie der Vermittlung

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    Elemental Living. Contemporary Houses in Nature

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    Serge Fruehauf. Extra Normal

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    Territory: On the Development of Landscape and City

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    Die Blumen der Mode. Klassische und neue Texte zur…

  • Donna J. Haraway

    Staying With the Trouble: Making Kin in the Chthulucene

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    Fantasies of the Library

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739
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