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    Dara Birnbaum. Technology/Transformation: Wonder Woman

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    Assume Vivid Astro Focus

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    Louis Kahn. On the Thoughtful Making of Spaces

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    Abstract City #04. Urbanes Hausen

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    Elfter September. 2010

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    Dance with Camera

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    Moiré Index

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    Candide. Journal for Architectural Knowledge Heft 2

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    Dialogue between Fashion and Death

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    Trends and Fads

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    Städtebau in Berlin. Schreckbild und Vorbild für Europa

  • An Architektur

    An Architektur 23: On the Commons

  • IDEA Magazine

    IDEA 341. Dialogues with Tatsuya Ariyama

  • Tara Rodgers

    Pink Noises. Women on Electronic Music and Sound

  • Brandon LaBelle

    Acoustic Territories. Sound Culture and Everyday Life.…

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    Adolf Loos. Gesammelte Schriften

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    Die Stadt ist unsere Fabrik. The City is Our Factory.

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    The Situationists and the City

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Kenya Hara

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  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

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    Institutional Critique. An Anthology of Artists'…

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    Archivologie. Exterioritäten des Wissens in Philosophie,…

  • Gui Bonsiepe

    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

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    Situation. Documents of Contemporary Art

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    Geometrie des Verfahrens. Schriften zur Methode

  • Jacques Ranciere

    Aesthetics and Its Discontents

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    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Claire Fontaine

    Vivre, vaincre

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    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

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    The BLDG BLOG Book

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    Henri Lefebvre. State, Space, World. Selected Essays

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    Reading Capital

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    Montagen des Realen. Photographie als Reflexionsmedium und…

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

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    A Brief History of Curating

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    IDEA 332. How does graphic design CHANGE?

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    Archäologie des Kinos, Gedächtnis des Jahrhunderts

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    Ryan McGinness

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    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

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    Soziologie der Städte

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    Urban Transformations

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    Mehr Geld

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    The Big Archive. Art From Bureaucracy

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    Jungfrau

  • Grada Kilomba

    Plantation Memories. Episodes of Everyday Racism

  • Hadas A. Steiner

    Beyond Archigram. The Structure of Circulation

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    KugelbauVisionen. Kulturgeschichte einer Bauform von der…

  • An Architektur

    An Architektur 22: GAMMA Grid, 1953. Das Ende des CIAM und…

  • Felix Guattari

    The Three Ecologies

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    An Architektur 19-21: Community Design. Involvement and…

  • Antonio Negri

    The Porcelain Workshop. For a New Grammar of Politics

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    Architecture or Techno-Utopia. Politics after Modernism

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    Textiles Prozessieren

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    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

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    Wissenschaft, Technik, Leben. Beiträge zur historischen…

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    Henri Lefebvre. Key Writings

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    Ulrike Ottinger. Eine Autobiografie

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    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

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    Comments on the Society of the Spectacle

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    Kunst des Handelns

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    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

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    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

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    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

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    Writings on Cities

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    The Production of Space

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    Big Bang Beijing. Urban Change in Beijing

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  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

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    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

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    An Architektur 16-17

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    An Architektur 14: Camp for Oppositional Architecture

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    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 10: Gemeinschaftsräume

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    An Architektur 04-09: Krieg und die Produktion von Raum

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    IDEA 296. Books <preposition> graphic design

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Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739