Direkt zum Inhalt

Warenkorb

  • Peter Osborne

    Anywhere or Not at All. The Philosophy of Contemporary Art

  • Richard Shone, John-Paul Stonard (Ed.)

    The Books that Shaped Art History. From Gombrich and…

  • Flora Samuel, Inge Linder-Gaillard

    Sacred Concrete. The Churches of le Corbusier

  • Unit Editions (Ed.)

    Jurriaan Schrofer (1926-90). Restless typographer

  • Kerstin Faber, Philipp Oswalt (Hg.)

    Raumpioniere in ländlichen Regionen. Neue Wege der…

  • Michael Hensel

    Performance-Oriented Architecture. Rethinking Architectural…

  • Christoph Menke

    Die Kraft der Kunst

  • T. J. Demos

    Return to the Postcolony

  • IDEA Magazine

    IDEA 357. Architecture in Print: The Development of…

  • Ronan & Erwan Bouroullec

    Drawing

  • Klaus Zwerger

    Das Holz und seine Verbindungen. Traditionelle Bautechniken…

  • Wolfgang Müller

    Subkultur Westberlin 1979–1989 - Freizeit

  • Abäke, Bernadette Corporation, Laurenz…

    Sonderedition Zwölf Taschen für Pro qm

  • Ja, Panik

    Schriften. Erster Band

  • Maurizio Lazzarato

    The Making of the Indebted Man. An Essay on the Neoliberal…

  • Folio Series

    Institutions by Artists. Volume One

  • Lucius Burckhardt

    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

  • Dietmar Kammerer (Hg)

    Vom Publicum. Das Öffentliche in der Kunst

  • Studienhefte Problemorientiertes Design…

    Lucius Burckhardt. Design heisst Entwurf

  • Studienhefte Problemorientiertes Design…

    Horst Rittel. Die Denkweise von Designern

  • Blind Gallery (Hg.)

    Wim Crouwel

  • Tacet #01

    Who is John Cage?

  • Enqvist, Masucci, Rosendahl, Widenheim…

    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

  • Marijke Steedman (Hg.)

    Gallery as Community. Art, Education, Politics

  • Afterall Books (Hg.)

    From Conceptualism to Feminism: Lucy Lippard's Numbers…

  • Claire Bishop

    Artificial Hells. Participatory Art and the Politics of…

  • Catherine de Smet, Sara De Bondt (Hg.)

    Graphic Design: History in the Writing (1983–2011)

  • Elke Krasny (Hg.)

    Hands-On Urbanism 1850 - 2012

  • Jost Hochuli

    Das ABC eines Typografen

  • M. Ziehl, S. Oßwald, O. Hasemann, D.…

    Second Hand Spaces. Recycling Sites Undergoing Urban…

  • Okwui Enwezor (Hg.)

    Intense Proximity. The Anthology of the Near and the Far

  • Quentin Meillassoux

    The Number and the Siren

  • Laurenz Brunner

    Amber. Anrhem Mode Biennale

  • Institut Mathildenhöhe Darmstadt (Hg.)

    A House Full of Music. Strategien in Musik und Kunst

  • Sophie Elisabeth Hochhäusl

    Otto Neurath - City Planning. Proposing a socio-political…

  • Susan Morgan (Hg.)

    Piecing Together Los Angeles. An Esther McCoy Reader

  • Magdalena Droste (Ed.)

    Lilly Reich. Designer and Architect

  • Jan Gehl

    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

  • Xavier Antin

    Printing at Home

  • Vladimir Arkhipov

    Home-Made Europe. Contemporary Folk Artifacts

  • Eyal Weizman

    The Least of All Possible Evils

  • David Harvey

    Rebel Cities. From the Right to the City to the Urban…

  • Brian O'Doherty

    Atelier und Galerie. Studio and Cube

  • Gert Selle

    Die eigenen vier Wände. Wohnen als Erinnern

  • Douglas Crimp

    Our Kind of Movie. The Films of Andy Warhol

  • Garry Neill Kennedy

    The Last Art College. Nova Scotia College of Art and Design…

  • Christof Migone

    Sonic Somatic. Performances of the Unsound Body

  • Felix Denk, Sven von Thun

    Der Klang der Familie. Berlin, Techno und die Wende

  • Walter Benjamin

    The "Berlin Chronicle" Notices

  • Gerald Raunig

    Fabriken des Wissens. Streifen und Glätten 1

  • Jane Bennett

    Vibrant Matter. A Political Ecology of Things

  • Christiane Rösinger

    Liebe wird oft überbewertet. Ein Sachbuch

  • Beatriz Preciado

    Pornotopia. Architektur, Sexualität und Multimedia im…

  • William E. Jones

    Halsted Plays Himself

  • Max Risselada (Hg.)

    Alison & Peter Smithson. A Critical Anthology

  • Miriam Bratu Hansen

    Cinema and Experience

  • Walter Benjamin

    Berlin Childhood circa 1900

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

  • Annette Wehrmann

    Luftschlangentexte

  • Hillel Schwartz

    Making Noise. From Babel to the Big Bang and Beyond

  • Sean Stewart (Hg.)

    On the Ground. An Illustrated Anecdotal History of the…

  • Marcos L. Rosa (Hg.)

    Microplanning. Urban Creative Practices. Sao Paulo

  • Charles Fourier

    The Hierarchies of Cuckoldry and Bankruptcy

  • Judith Halberstam

    The Queer Art of Failure

  • Grant H. Kester

    The One and the Many. Contemporary Collaborative Art in a…

  • Roman Hillmann

    Die erste Nachkriegsmoderne

  • Laura Oldfield Ford

    Savage Messiah

  • Oda Pälmke (Hg.)

    Ganz gut – Quite Good Houses

  • Adolf Loos

    Hummer unter der Bettdecke

  • Jennifer Bass, Pat Kirkham

    Saul Bass. A Life in Film & Design

  • Mårten Spångberg

    Spangbergianism

  • Ryan McGinness

    To Do List Calendar 2012

  • Judith F. Rodenbeck

    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

  • Kit White

    101 Things to Learn in Art School

  • Peter Pfrunder (Hg.)

    Schweizer Fotobücher 1927 bis heute. Eine andere Geschichte…

  • N. Brenner, P. Marcuse, M. Mayer (Hg.)

    Cities for People, Not for Profit. Critical Urban Theory…

  • Richard Dyer

    In The Space Of A Song. The Uses of Song in Film

  • Andres Lepik (Hg.)

    Moderators of Change. Architektur, die hilft

  • Bechir Kenzari (Hg.)

    Architecture and Violence

  • Roger Thiel

    Anarchitektur

  • Charles Jencks

    The Story of Post-Modernism

  • Toru Hachiga (Hg.)

    Creatives in Japan. Keywords to Know

  • Paul Hegarty, Martin Halliwell

    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

    Paul Thek Reproduced, 1969 - 1977

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

  • Paul De Bruyne, Pascal Gielen

    Community Art: The Politics of Trespassing

  • Rem Koolhaas, Hans Ulrich Obrist (Hg.)

    Project Japan. An Oral History of Metabolism

  • Florian Urban

    Tower and Slab. Histories of Global Mass Housing

  • Marit Paasche, Judy Radul (Hg.)

    A Thousand Eyes. Media Technology, Law, and Aesthetics

  • Wolfgang Sonne (Hg.)

    Die Medien der Architektur

  • Museum für Gestaltung Zürich (Hg.)

    Poster Collection 23. In Series

  • Andrea Cornwall (Hg.)

    The Participation Reader

  • Franco "Bifo" Berardi

    After the Future

  • 51N4E

    Double or Nothing

This Searing Light, the Sun and Everything Else: Joy Division: The Oral History

Jon Savage's oral history of Joy Division is the last word on the band that ended with the suicide of Ian Curtis in Macclesfield on 18 May, 1980. It weaves together interviews conducted by the author, but never used in the making of the film Joy Division (2007) which told the story of the band in their own words, as well as those of their peers, collaborators, and contemporaries.
Here are 15 or so vivid witnesses to the band's genesis, meteoric rise, and tragic demise, including Peter Hook, Bernard Sumner, Annike Honore, Deborah Curtis, Paul Morley, Tony Wilson, Rob Gretton, Martin Hannet ... It is the story of young men driven to create and cause rock n' roll havoc inspired by literature, radical ideas, and the wasteland that was post-industrial Manchester in the late 70s. It is as intense and funny and alive on the page as only an oral history can be, recalling masterpieces like Edie by Jean Stein and Meet me in the Bathroom by Lizzy Goodman. It is essential reading.
Joy Division emerged in the mid-70s at the start of a two-decades long Manchester scene that was to become much mythologised. It was then a city still labouring in the wake of the war and entering a phase of huge social and physical change, and something of this spirit made its way into the DNA of the band. Over the course of two albums, a handful of other seminal releases, and some legendary gigs, Joy Division became the most successful and exciting underground band of their generation. Then, on the brink of a tour to America, Ian Curtis took his own life. In This searing light, the sun and everything else, Jon Savage has assembled three decades worth of interviews with the principle players in the Joy Division story: Bernard Sumner, Peter Hook, Stephen Morris, Deborah Curtis, Peter Saville, Tony Wilson, Paul Morley, Alan Hempsall, Lesley Gilbert, Terry Mason, Anik Honore, and many more. It is the story of how a band resurrected a city, how they came together in circumstances that are both accidental and extraordinary, and how their music galvanised a generation of fans, artists and musicians. It is a classic story of how young men armed with electric guitars and good taste in literature can change the world with four chords and three-and-a-half minutes of music. And it is the story of how illness and demons can rob the world of a shamanic lead singer and visionary lyricist. This searing light, the sun and everything else presents the history of Joy Division in an intimate and candid way, as orchestrated by the lodestar of British music writing, Jon Savage.


Jon Savage
This Searing Light, the Sun and Everything Else: Joy Division: The Oral History
Faber & Faber, 2019, 9780571345373