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  • Carola Dertnig, Diedrich Diederichsen,…

    Troubling Research. Performing Knowledge in the Arts

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    Hugo Puttaert. Think in Colour: Visionandfactory

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    Lessons from Modernism. Environmental Design Strategies in…

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    Raum und Macht. Die Stadt zwischen Vision und Wirklichkeit…

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    Impossible Utopias

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    Architektur im Kontext. Architecture in Context

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    Aleksandra Domanovic. From yu to me

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    Unpleasant Design

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    Radical Cities. Across Latin America in Search of a New…

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    #Accelerate: The Accelerationist Reader

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    Casablanca Chandigarh. A Report on Modernization

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    Invitation to Architecture. Discovering Delight in the…

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    Buildings Must Die. A Perverse View of Architecture

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    Dessau 1945. Moderne zerstört: Bauhaus Edition 45

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    Bricks & Mortals. Ten Great Buildings and the People…

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    Inter-esse

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    AG1 – Great Arthur House, AG2 – Falkenhorst, AG3 –…

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    Berlin Wonderland. Wild Years Revisited, 1990–1996

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    Poor but Sexy. Culture Clashes in Europe East and West

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    Agonistik. Die Welt politisch denken

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    Another Space: Textile Spaces

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    Reisen. Fotos von unterwegs

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    Cool World

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    Sculpture Today

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    I can not repeat what I hear

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    To Do. Die neue Rolle der Gestaltung in einer veränderten…

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    The Rhetorical Foundations of Society

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    Cute Farm Animals

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    Panaesthetics. On the Unity and Diversity of the Arts

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    Broadcasting Buildings. Architecture on the Wireless, 1927-…

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    re.act.feminism. A Performing Archive

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    Material Innovation. Architecture

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    The Right to Brand

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    An Ecosystem of Excess

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    The Acoustic City

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    Akram Zaatari. Film as a Form of Writing

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    Touching and Imagining. An Introduction to Tactile Art

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    Die Trauben auf deinem Bauch bilden ein Muster

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    Too Much World. The Films of Hito Steyerl

  • L.I.E. (Library of Independent Exchange)

    L.I.E. Lists of Ten Books

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    Subtraction. Keller Easterling. Critical Spatial Practice 4

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    Komplexe Wahrnehmung und moderner Städtebau. Paul Hofer,…

  • Christine Ross

    The Past is the Present; It's the Future Too

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    Radikal ambivalent. Engagement und Verantwortung in den…

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    Hungarian Cubes. Subversive Ornamente im Sozialismus

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    The Decision Between Us. Art and Ethics in the Time of…

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    Cirque Calder

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    Stadt Selber Machen. Ein Handbuch

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    Warum Photographie als Kunst so bedeutend ist wie nie zuvor

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    Die Revolution der Städte. La Revolution urbaine

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    Theorie und Gestaltung im Zweiten Maschinenzeitalter

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    Appendix

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    Birds of Paradise. Costume as Cinematic Spectacle

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    Social and Political Theory. No. 1

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    Architecture. A Historical Perspective

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    Das Urbane. Wohnen. Leben. Produzieren

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    Lina Bo Bardi. The Theory of Architectural Practice

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    The Wes Anderson Collection

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    On Architecture. Melvin Charney, a Critical Anthology

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    Heteropolis

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    Peter Zumthor. 1985–2013

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    Ohne Mich

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    La Défense. Métro, boulot, dodo

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  • October Files 16

    John Knight

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    Why Architects Still Draw

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    Forensis. The Architecture of Public Truth

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    Participation Is Risky. Approaches to Joint Creative…

  • Clog 10

    Prisons

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    Schizo-Culture

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    Die Kunst des urbanen Handelns. The Art of Urban…

  • Verena Gerlach

    Karbid. Berlin - De La Lettre Peinte.. / Von Schriftmalerei…

Sensible Politics. The Visual Culture of Nongovernmental Activism

Political acts are encoded in medial forms—feet marching on a street, punch holes on a card, images on live stream, tweets—that have force, shaping people as subjects and constituting the contours of what is sensible, legible, visible. Thus, these events define the terms of political possibility and create terrain for political actions.
Sensible Politics: The Visual Culture of Nongovernmental Activism considers the constitutive role played by aesthetic and performative techniques in the staging of claims by nongovernmental activists. Attending to political aesthetics means focusing not on a disembodied image that travels under the concept of art or visual culture, nor on a preformed domain of the political that seeks subsequent expression in media form. Instead, it requires bringing the two realms together into the same analytic frame. Drawing on the work of a diverse group of contributors, from art historians, anthropologists, and political theorists to artists, filmmakers, and architects, Sensible Politics situates aesthetic forms within broader activist contexts and networks of circulation and in so doing offers critical insight into the practices of mediation whereby the political becomes manifest.
Contributors include: Barbara Abrash, Negar Azimi, Ariella Azoulay, Amahl Bishara, Judith Butler, Eduardo Cadava, Jonathan Crary, Ann Cvetkovich, Faye Ginsburg, Sam Gregory, Zeynep Devrim Gürsel, Roger Hallas, Andrew Herscher, Sandi Hilal, Kirsten Johnson, Liza Johnson, Thomas Keenan, Carrie Lambert-Beatty, Jaleh Mansoor, Yates McKee, Meg McLagan, Alessandro Petti, Hugh Raffles, Felicity D. Scott, Kendall Thomas, Leshu Torchin, Eyal Weizman, Benjamin J. Young, Huma Yusuf, and Charles Zerner.
“Photographs, maps, videos, reports, charts, spaces, and bodies—these and many other material things assemble into what the editors of this remarkable volume call an ‘image-complex’ that conditions how we know what we know, and what we do with that knowledge. Sensible Politics is a practical, theoretical guide for thinking and acting in the aesthetico-political register that puts art and politics together with rigor, imagination, and urgency. For anyone concerned with these matters, this is not just an interesting book, or a useful book. It is a necessary book.”
—Reinhold Martin, Associate Professor at the Graduate School of Architecture, Planning, and Preservation, Columbia University
“Sensible Politics seeks to attend to the dispersion of aesthetics across the multiple institutional and discursive networks and platforms that constitute political action in the present. And so it does! Sensible Politics confounds our current divisions of the aesthetic and the political and challenges scholars and activists —scholaractivists and activistscholars—to rethink the political potential of images as they are absorbed by the concrete apparatuses of contemporary regimes of governmentality.”
—Elizabeth A. Povinelli, author of Economies of Abandonment: Social Belonging and Endurance in Late Liberalism


Meg McLagan, Yates McKee (Hg.)
Sensible Politics. The Visual Culture of Nongovernmental Activism
Zone Books, 2012, 978-1-935-40824-6