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  • Natalie Czech

    I can not repeat what I hear

  • Stefan Banz

    Jeff Wall. Mit dem Auge des Geistes

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    To Do. Die neue Rolle der Gestaltung in einer veränderten…

  • Ernesto Laclau

    The Rhetorical Foundations of Society

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    Cute Farm Animals

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    Panaesthetics. On the Unity and Diversity of the Arts

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    Performing the Sentence. Research and Teaching in…

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    Broadcasting Buildings. Architecture on the Wireless, 1927-…

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    re.act.feminism. A Performing Archive

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    Material Innovation. Architecture

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    The Right to Brand

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    An Ecosystem of Excess

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    The Acoustic City

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    Akram Zaatari. Film as a Form of Writing

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    Touching and Imagining. An Introduction to Tactile Art

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    Farbige Lichträume. Manifestationen einer Veränderung des…

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    Die Trauben auf deinem Bauch bilden ein Muster

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    Too Much World. The Films of Hito Steyerl

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    L.I.E. Lists of Ten Books

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    Eco-Aesthetics. Art, Literature and Architecture in a…

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    Subtraction. Keller Easterling. Critical Spatial Practice 4

  • Tom Steinert

    Komplexe Wahrnehmung und moderner Städtebau. Paul Hofer,…

  • Christine Ross

    The Past is the Present; It's the Future Too

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    Radikal ambivalent. Engagement und Verantwortung in den…

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    Hungarian Cubes. Subversive Ornamente im Sozialismus

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    The Decision Between Us. Art and Ethics in the Time of…

  • Ugo Mulas

    Cirque Calder

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    Baukunst der Nachkriegsmoderne. Architekturführer Berlin…

  • Laura Bruns

    Stadt Selber Machen. Ein Handbuch

  • Michael Fried

    Warum Photographie als Kunst so bedeutend ist wie nie zuvor

  • Henri Lefèbvre

    Die Revolution der Städte. La Revolution urbaine

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    Theorie und Gestaltung im Zweiten Maschinenzeitalter

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    Le Corbusier. Béton Brut und der unbeschreibliche Raum (…

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    From a Nation Torn. Decolonizing Art and Representation in…

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    Conditional Design Workbook

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    Birds of Paradise. Costume as Cinematic Spectacle

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    Social and Political Theory. No. 1

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    Architecture. A Historical Perspective

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    The Duchamp Dictionary

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    Das Urbane. Wohnen. Leben. Produzieren

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    Lina Bo Bardi. The Theory of Architectural Practice

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    My House, My Paradise. The Construction of the Ideal…

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    Less but better. Weniger, aber besser

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    The Wes Anderson Collection

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    On Architecture. Melvin Charney, a Critical Anthology

  • Adaptive Actions

    Heteropolis

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    Peter Zumthor. 1985–2013

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    Ohne Mich

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    La Défense. Métro, boulot, dodo

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    Ecologies, Environments, and Energy Systems in Art of the…

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    John Knight

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    Grundrissfibel. 50 Wettbewerbe im gemeinnützigen…

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    Why Architects Still Draw

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    Forensis. The Architecture of Public Truth

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    Participation Is Risky. Approaches to Joint Creative…

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    Schizo-Culture

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    Karbid. Berlin - De La Lettre Peinte.. / Von Schriftmalerei…

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    DIY Citizenship. Critical Making and Social Media

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    Le Corbusier et la question du brutalisme. LC au J1

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    Always the Same Faces. Aus dem Alltag philippinischer…

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    A School for Design Fiction

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    Wissenschaftssprache digital. Die Zukunft von gestern

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    B is for Bauhaus. An A-Z of the Modern World

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    The New Urban Question

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    Ways of Curating

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    Anke Westermann. Atlas

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    Der Gang der Dinge. Welche Zukunft haben photographische…

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    Fundamentals

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    The Architecture of the Screen

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    Mietenwahnsinn

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    Kill Your Darlings

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    Records By Artists. 1958-1990

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    Der Schatten des Fotografen

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    Big Sign - Little Building

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    The Uncertainty Principle

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    In the Field. The Art of Field Recording

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    Über Pop-Musik

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    Arts-Based Research

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    Lacan. In Spite Of Everything

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Spectres 2. Résonances / Resonances

To resonate: re-sonare. To sound again—with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals.
Resonance embraces a multitude of different meanings. Or rather, remaining always identical, it is actualised in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange.
Addressing one or other of the forms that this idea of resonating can take on (extending—evoking—reverberating—revealing—transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold.
The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader.
— The Editors
with Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop, Christian Zanési


François Bonnet, Bartolomé Sanson (eds.)
Spectres 2. Résonances / Resonances
Shelter Press, 2020, 978-2-36582-0349