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  • Annette Becker, Stefanie Lampe, Lessano…

    Schön hier. Architektur auf dem Land

  • Domenico Quaranta and Janez Janša (eds.)

    Hyperemployment – Post-work, Online Labour and Automation

  • Bani Brusadin

    The Fog of Systems. Art as Reorientation and Resistance in…

  • Pau Waelder

    You can be a wealthy art collector in the digital age //…

  • Andrew Witt

    Formulations. Architecture, Mathematics, Culture (Writing…

  • Nick Axel, Nikolaus Hirsch, Daniel…

    Accumulation. The Art, Architecture, and Media of Climate…

  • Andreas Kemper

    Privatstädte. Labore für einen neuen Manchesterkapitalismus

  • Vogliamo tutto (Hg.)

    Revolutionäre Stadtteilarbeit. Zwischenbilanz einer…

  • Michel Leiris, Irene Albers (eds.)

    Phantom Afrika

  • Jan Herres

    Das Berliner Zimmer. Geschichte, Typologie,…

  • Jonathan Crary

    Scorched Earth. Beyond the Digital Age to a Post-Capitalist…

  • Cary Wolfe

    Art and Posthumanism. Essays, Encounters, Conversations

  • Joanna Zylinska (Hg)

    The Future of Media

  • Matthew Gandy

    Natura Urbana. Ecological Constellations in Urban Space

  • Matthew Wizinsky

    Design after Capitalism. Transforming Design Today for an…

  • Jan De Vylder, Annamaria Prandi / ETH…

    Seven Questions

  • Katja Eydel

    Appointed Habitus Set

  • Yaiza Camps, Moritz Grünke, Pascale…

    Decolonizing Art Book Fairs: Publishing Practices from the…

  • Carla Zaccagnini

    Carla Zaccagnini. Cuentos de Cuentas

  • Beate Söntgen, Julia Voss (Hg.)

    Why Art Criticism? A Reader.

  • Denise Ferreira da Silva

    Unpayable Debt

  • Carol Vernallis, Holly Rogers, Jonathan…

    Cybermedia. Explorations in Science, Sound, and Vision

  • Kathy Acker, McKenzie Wark

    Du hast es mir sehr angetan. E-Mails 1995/96

  • Kirsty Bell

    The Undercurrents. A Story of Berlin

  • Arnold Bartetzky Nicolas, Karpf, Greta…

    Architektur und Städtebau in der DDR. Stimmen und…

  • Timo Feldhaus

    Mary Shelleys Zimmer. Als 1816 ein Vulkan die Welt…

  • Barbara Winckler, Enass Khansa,…

    Thinking Through Ruins. Genealogies, Functions, and…

  • Stanislas Chaillou

    Artificial Intelligence and Architecture. From Research to…

  • Reclaim Your City

    Bitte Lebn. Urbane Kunst & Subkultur in Berlin 2003 -…

  • Claudia Mareis, Moritz Greiner-Petter,…

    Critical by Design? Genealogies, Practices, Positions

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 247. Cohabitation

  • Mark Sealy

    Photography. Race, Rights and Representation

  • Anna-Sophie Springer & Etienne…

    These Birds Of Temptation (Intercalations 6)

  • Ioanna Gerakidi & Danae Io

    In the Current of the Situation

  • Ricardo Devesa

    Outdoor Domesticity. On the Relationships between Trees,…

  • Nils Wortmann

    Alles so schön still hier 100 Ambient-Alben, die man gehört…

  • Herbert Haffner

    His Master's Voice. Die Geschichte der Schallplatte.…

  • Markus Müller (Hg)

    Free Music Production. FMP - The Living Music

  • Alexander Opper, Katharina Fink, Nadine…

    Das Bauhaus verfehlen/ Missing the Bauhaus

  • Katharina Fink, Marie-Anne Kohl, Nadine…

    Ghosts, spectres, revenants. Hauntology as a means to think…

  • Christine Schranz (ed.)

    Shifts in Mapping. Maps as a tool of knowledge

  • Finn Dammann, Boris Michel (Hg.)

    Handbuch Kritisches Kartieren

  • Krypto-Kunst Kolja Reichert

    Krypto-Kunst. NFTs und digitales Eigentum (Digitale…

  • Alexander Stumm, Victor Lortie (Hg)

    Überbau. Produktionsverhältnisse der Architektur im…

  • Robin Becker, David Hagen, Livia von…

    Ästhetik nach Adorno. Positionen zur Gegenwartskunst

  • Giovanna Borasi (Hg.)

    A Section of Now. Social Norms and Rituals as Sites for…

  • Boris Groys

    Philosophy of Care

  • Terry Smith

    Curating the Complex and the Open Strike

  • Pedro Neves Marques (ed.)

    YWY, Searching for a Character between Future Worlds Gender…

  • Bassam El Baroni (ed.)

    Between the Material and the Possible. Infrastructural Re-…

  • AA Cavia

    Logiciel. Six Seminars on Computational Reason

  • IDEA Magazine

    IDEA 397. Encountering Books. Art Book Fairs of the World,…

  • Oxana Timofeeva

    Solar Politics (Theory Redux)

  • Dhanveer Singh Brar

    Teklife, Ghettoville, Eski. The Sonic Ecologies of Black…

  • Jeanne van Heeswijk, Maria Hlavajova,…

    Toward the Not-Yet. Art as Public Practice

  • Karin Harrasser

    Surazo

  • Chase Galis, Christina Moushoul, Sonia…

    Party Planner, Vol. 1, Party Favor

  • Oli Freke

    Synthesizer Evolution: From Analogue to Digital and Back

  • Felix Pfeiffer-Kloss (Hg)

    Berlin U-Bahn Architecture & Design Map. Berliner U-…

  • Alvin Lucier

    Eight Lectures on Experimental Music

  • Derek Lamberton (Hg.)

    Brutalismus Stadtplan Berlin. Brutalist Berlin Map

  • Daniel Strassberg

    Spektakuläre Maschinen. Eine Affektgeschichte der Technik

  • Laurie Penny

    Sexuelle Revolution. Rechter Backlash und feministische…

  • bell hooks

    Männer, Männlichkeit und Liebe

  • Angela Million, Christian Haid, Ignacio…

    Spatial Transformations. Kaleidoscopic Perspectives on the…

  • Saidiya Hartman

    Diese bittere Erde (ist womöglich nicht, was sie scheint)

  • Simone Forti

    Simone Forti. Handbook in Motion. An Account of an Ongoing…

  • Paul Dobraszcyk

    Architecture and Anarchism. Building without Authority

  • Elke Genzel, Pamela Voigt

    BUCH ZWEI. Leben in Kunststoffbauten

  • Marie-Luise Angerer

    Nichtbewusst. Affektive Kurzschlüsse zwischen Psyche und…

  • Martin Eberle

    Hi Schatz!

  • Ernesto Laclau

    Die populistische Vernunft

  • Desiree Förster

    Aesthetic Experience of Metabolic Processes

  • Brandon LaBelle

    Dreamtime X

  • Israel Martínez

    Dead People Whispering to Us

  • Rodrigo Karmy Bolton

    The Future Is Inherited: Fragments of a Chile in Revolt

  • Ina Wudtke

    Worker Writers / Arbeiterschriftsteller:innen

  • Ekaterina Degot, David Riff, Jan Sowa (…

    Perverse decolonisation? (Deutsche Ausg.)

  • The Otolith Group, Megs Morley (Hg)

    Xenogenesis. The Otolith Group (Anjalika Sagar, Kodwo Eshun)

  • Karin Krauthausen, Rebekka Ladewig (Hg.)

    Modell Hütte. Von emergenten Strukturen, schützender Haut…

  • Edited by Michèle Leloup, Cyrille…

    The Wood That Makes Our City

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    Hellmuth Costard. Das Wirkliche war zum Modell geworden

  • Peter Swinnen, Nikolaus Hirsch

    A.J. Lode Janssens 1,47 mbar

  • Juliane Rebentisch

    Der Streit um Pluralität. Auseinandersetzungen mit Hannah…

  • Helke Sander

    I like chaos, but I don’t know, whether chaos likes me

  • Viction Workshop (Hg.)

    More Is More: Designing Bigger, Bolder, Brighter

  • Cristina Baldacci, Clio Nicastro,…

    Over and Over and Over Again Reenactment Strategies in…

  • Pauline Agustoni, Satomi Minoshima

    Craft Portrait: Dorozome

  • Nick Axel, Nicholas Korody (eds)

    Babyn Yar. Past, Present, Future

  • Brian Massumi

    Couplets. Travels in Speculative Pragmatism

  • Justin Joquue

    Revolutionary Mathematics. Artificial Intelligence,…

  • Melissa Anderson

    Inland Empire

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 246. Zeitgenössische feministische Raumpraxis

  • Alexander Galloway

    Uncomputable. Play and Politics in the Long Digital Age

  • Friedrich Balke, Bernhard Siegert,…

    Kleine Formen – Archiv für Mediengeschichte, Bd. 19

  • Ekaterina Degot, David Riff, Jan Sowa (…

    Perverse decolonisation? (English Ed.)

  • Hanka van der Voet, Johannes Reponen (…

    Warehouse Review 002, A Review of Reviews

  • Elizabeth Wilson

    Eingeweide, Pillen, Feminismus

What was the Hipster? A Sociological Investigation

Preface
All descriptions of hipsters are doomed to disappoint, because they will not be the hipsters you know. But to those of you who are reading this in 2050, I can only say: Everything in this book is true, and its impressions are perfect.
SYMPOSIUM
Introduction
“Please do take the opportunity to answer each other. We’ll just beg your patience to make sure that it’s getting on tape. Okay?”
Positions
When we talk about the contemporary hipster, we’re talking about a kind of cross-subcultural figure who emerges by 1999 and enjoys a fairly narrow but robust first phase of existence from 1999 to 2003. At which point the category of hipster seemed about to dissipate and return to the primordial subcultural soup, for something else to take over. Instead what we witnessed was an increasing spread and durability of the term, in an ongoing second phase from 2003 to the present.
I Was Wrong
The truth was that there was no culture worth speaking of, and the people called hipsters just happened to be young and, more often than not, funny-looking.
Vampires of Lima
What are we not talking about when we’re talking about the hipster? For example, criticizing the hipster is often a way of discussing gentrification and neighborhood change — while exempting oneself from the process. Figured as scapegoats, hipsters ruin neighborhoods by driving up rents with their parental subsidies, while the non-hipsters just . . . live there. Which is a totally ridiculous conceit.
Discussion
“Before you guys ask each other any more questions I think we should go back to the gentleman standing by the microphone.”
DOSSIER
The Death of the Hipster
I went to n+1’s “What Was the Hipster?” panel discussion at the New School on Saturday but went away a bit unfulfilled. We all had a stake in defining “hipster” as “not me.”
Hipsters Die Another Death at n+1 Panel
The one guy sporting a trucker hat stared straight ahead as Mr. Greif talked about how guys in trucker hats were striving for some sort of faux-authenticity. And when Mr. Greif hit upon the prevalence of pornographic and pedophilic mustaches among hipsters, one heavily mustachioed man seemed to listen more intently.
RESPONSES
Williamsburg Year Zero
I was a gentrifier in Williamsburg. Like the maligned hipsters, I used my parents’ savings to secure a place to live. I wanted grocery stores that carried organic products like Horizon milk for $6 per half-gallon, and overpriced but aesthetically satisfying coffee shops like El Beit. I needed expensive boutiques, otherwise I would have felt bad for having left Manhattan.
19 Questions
It interests me that “hip-hop” also gestured to similar origins when it took the “hip” from “hipster.” Can it be a cultural accident that within about twenty years of each other, black and white vanguardists (and arrivistes) drew on the old black and white uses of the same word?
Hip-hop & Hipsterism
As a black boy looking at white boys, hipsterism strikes me as what happens when white folks become aware of power and inequity — but then say, “Well, what are we supposed to do? Throw our hands up and mug for the camera.”
ESSAYS
On Douchebags
Like “douchebag,” “hipster” was a name that no one could apply to oneself. But the opportunity to call someone else a “douchebag”: that offered the would-be hipster a means of self-identification by a name one could say, looking outward. In the douchebag, the hipster had found its Other.
You Know It When You See It
At the height of her fame, authenticity, desirability, specificity, inventiveness — her “roundness” as a character — the female hipster existed before the camera, photogenic and photographed; and so it was here, through the lens, that the hipster feminine came into definition.
Epitaph for the White Hipster
The uncanny thing about the early-period white hipsters is that symbolically, in their clothes, styles, and music and attitudes, they seemed to announce that whiteness was flowing back in [to the city]. Unconsciously, they wore what they were — because for reasons mysterious to the participants, those things suddenly seemed cool.
South Side Story
At their most extreme, hipsters and Hasids present rival heresies, dueling rejections of bourgeois modernity. That each group selected Williamsburg as the terrain for carving out a secessionist utopia can only be blamed on the cunning of history, plus the L train.
http://nplusonemag.com/pamphlet-3


n+1 (Hg.)
What was the Hipster? A Sociological Investigation
Eigenverlag, 2010, 978-0-9825977-1-2