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    Verzweigte Moderne. Beiträge zur Architektur des 20.…

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    Kuba Szreder

    The ABC of the projectariat

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    What World Is This? A Pandemic Phenomenology

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    Andrew M. Shanken

    The Everyday Life of Memorials

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    Doreen Massey (Eds.: David Featherstone…

    Selected Political Writings

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    Gordon Matta-Clark. An Archival Sourcebook

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    Carolin Overhoff Ferreira

    Dekoloniale Kunstgeschichte. Eine methodische Einführung

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    Ramon Amaro

    The Black Technical Object. On Machine Learning and the…

  • Magdalena Jadwiga Härtelova

    It Is: You Appeared Once. A Story about Potential…

  • Bénédicte Ramade

    Vers un art anthropocène

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    Ware Reinheit. Cache 02

  • Brandon Labelle (Hg)

    The Listening Biennial Reader. Vol. 1: Waves of Listening

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  • Judith Siegmund (Hg)

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    Achille Mbembe, Felwine Sarr (eds)

    To Write the Africa World

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    Fashion as Creative Economy. Micro-Enterprises in London,…

  • Amit Prasad

    Science Studies Meets Colonialism

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    Guillaume Blanc

    The Invention of Green Colonialism

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    IDEA 400. Graphic Design Recollections & Records:…

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    Nathaniel Marcus

    Breathing Room. A dialogue with Lakuti & Tama Sumo. Ein…

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    Circular Design. Towards Regenerative Territories

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    Against the Commons: A Radical History of Urban Planning

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    Prishtina in 53 Buildings

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    Walking from Scores

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    Data Farms. Circuits, Labour, Territory

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    Synthetic Becoming

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    Housing as Commons. Housing Alternatives as Response to the…

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    Was jetzt kommt. Christiane Rösinger. Ausgewählte Songtexte

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    Kazuo Shinohara: The Umbrella House Project

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    Make Do With Now: New directions in Japanese Architecture

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    ICC Berlin. Zara Pfeifer

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    Berlin. Urbane Architektur und Alltag seit 2009

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    Assuming Asymmetries. Conversations on Curating Public Art…

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    The Nature of Tomorrow. A History of the Environmental…

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    Hiuwai Chu, Meagan Down, Nkule Mabaso,…

    CLIMATE. Our Right to Breathe

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    Design, Gestaltung, Formatività

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    Stations. Listening to the Deep Earth

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    Anne Davidian, Laurent Jeanpierre (Eds.)

    What Makes an Assembly? Stories, Experiments, and Inquiries

  • Ingo Offermanns (Ed.) Dokho Shin &…

    Graphic Design Is (...) Not Innocent: Scrutinizing Visual…

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  • Christiane Sauer, Mareike Stoll, Ebba…

    Architectures of Weaving

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    On the Duty and Power of Architectural Criticism

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    Christian Sander

    Claude Parent, Paul Virilio - Architecture Principe. Formen…

  • Marie-France Rafael

    Passing Images. Art in the Post-Digital Age

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    Atmospheres of Projection. Environmentality in Art and…

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    Mohsen Mostafavi (ed)

    Manfredo Tafuri. Modern Architecture in Japan

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    Material Cultures

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  • Daniela Dossi

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    Sven Lütticken

    Art and Autonomy. A Critical Reader

  • Christian Brox (Brox+1)

    BERLIN POSSIBILITY. Rave in Ruinen. Clubkultur 1990 bis…

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  • Jesko Fezer

    Umstrittene Methoden. Architekturdiskurse der…

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    Atlas des Dazwischenwohnens. Wohnbedürfnisse jenseits der…

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    Lauren Berlant

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  • Gottfried Schnödl, Florian Sprenger

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    Spatial Commons. Zur Vergemeinschaftung urbaner Räume

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    Adrienne Buller, Mathew Lawrence

    Owning the Future. Power and Property in the Age of Crisis

  • Sianne Ngai

    Das Niedliche und der Gimmick. Zwei ästhetische Kategorien

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    Liquidity, Flows, Circulation. The Cultural Logic of…

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    Reto Geiser, Michael Kubo (Hg)

    Futures of the Architectural Exhibition.

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    Benjamin Bratton

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    The lake of Venice. A scenario for Venice and its lagoon

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    Peter Osborne

    Crisis as Form

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    Leslie Kern

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  • Sinthujan Varatharajah, Hilal Moshtari

    Englisch in Berlin. English in Berlin

101 Things to Learn in Art School

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Kit White is an artist and Professor of Painting at Pratt Institute, Brooklyn. His work is in the permanent collections of many museums, including the Guggenheim Museum.
Reviews
“This small book, just 6 inches square, excels in presenting ideas that both artists and designers, at all stages of their careers, cannot be reminded of too often.”
—Interior Design
“Kit White’s 101 Things to Learn in Art School is a delight...Anyone who has ever visited an art museum, made art, or read about it could learn something from this little book.”
—Beth Williamson, Cassone
Endorsements
“Everyone craves useful wisdom, right? Especially when they're young, and even more especially if they want to become one of those modern alchemists known as visual artists. Well, here it is: page for impeccably crafted page, the best, most thoughtful and lucid primer available for any young (or old) would-be maker of art.”
—Kurt Andersen, novelist (Heyday, Turn of the Century) and public radio host (Studio 360)
“There is a great myth that somehow rules constrain creativity. With grace and wit, Kit White’s new book dismantles this received idea, and many others along the way. If the cardinal rule of writing is ‘show, don’t tell,’ Kit White has done exactly that—he shows us what art-making is by example as much as through the rich content of this incisive book.”
—Polly Apfelbaum, artist
“Kit White gives us a ‘manual’ in every sense of the word, a lifetime of art-making condensed into 101 cogent maxims that fit in the hand of the aspiring artist.”
—Wendy Steiner, author of The Real Real Thing: The Model in the Mirror of Art


Kit White
101 Things to Learn in Art School
MIT Press, 2011, 9780262016216
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