Direkt zum Inhalt

Warenkorb

  • David Graeber, David Wengrow

    Anfänge. Eine neue Geschichte der Menschheit

  • Natasha Ginwala, Gal Kirn, Niloufar…

    Nights of the Dispossessed: Riots Unbound

  • Patrick Syme, Abraham Gottlob Werner

    Werners Nomenklatur der Farben. Angepasst an Zoologie,…

  • Carla Lonzi

    Self-portrait

  • Wolfgang Tillmans

    Schall ist flüssig (mumok)

  • Kolja Möller (Hg)

    Populismus. Ein Reader

  • Alexander Kluge

    Das Buch der Kommentare. Unruhiger Garten der Seele

  • Alexander Kluge

    Zirkus / Kommentar

  • Natalie Donat-Cattin

    Collective Processes. Counterpractices in European…

  • Philipp Schönthaler

    Die Automatisierung des Schreibens & Gegenprogramme der…

  • Marie Rotkopf, Marcus Steinweg

    Fetzen. Für eine Philosophie der Entschleierung

  • Alan Licht

    Common Tones. Selected Interviews with Artists and…

  • Barbara Penner, Adrian Forty, Olivia…

    Extinct. A Compendium of Obsolete Objects

  • Stephan Geene

    Freiheit 71. Ricky Shayne, Musik und die Materialität des…

  • Stephan Gregory

    Die kühle Kamera. Witz und Melancholie der seriellen…

  • Philipp Ekardt

    Benjamin on Fashion

  • Laurie Cluitmans (Ed.)

    On The Necessity Of Gardening. An Abc Of Art, Botany And…

  • Aljosa Dekleva (Ed.)

    AA nanotourism Visiting School: Vienna, Austria 2020

  • Helen Westgeest & Kitty Zijlmans (…

    Mix & Stir. New Outlooks on Contemporary Art from…

  • Arno Brandlhuber, Florian Hertweck,…

    The Dialogic City. Berlin wird Berlin

  • Martin Barner

    Tools for Men-with-Feminist-Ambitions

  • Astrid Deuber-Mankowsky, Philipp Hanke…

    Queeres Kino / Queere Ästhetiken als Dokumentationen des…

  • Andrej Holm (Hg.)

    Wohnen zwischen Markt, Staat und Gesellschaft. Ein…

  • Moisés Puente (Ed.)

    2G 83. Smiljan Radic

  • Florian Malzacher, Jonas Staal (Eds.)

    Training for the Future. Handbook

  • Andrej Holm

    Objekt der Rendite. Zur Wohnungsfrage und was Engels noch…

  • Vanessa Grossman, Ciro Miguel (Hg)

    Everyday Matters. Contemporary Approaches to Architecture

  • Karin Berkemann (Hg.)

    Das Ende der Moderne? Unterwegs zu einer…

  • Amber Husain

    Replace Me

  • IDEA Magazine

    IDEA 396. Explore Color Design. Digital Color and the…

  • Lisa Beißwanger

    Performance on Display. Zur Geschichte lebendiger Kunst im…

  • Janne Gärtner, Anne Waak

    Aus einem Land vor unserer Zeit. Die Kinder von Kleinwelka

  • Sven Quadflieg

    Mit erhobener Faust. Die Ästhetik des Protests und die…

  • Rosi Braidotti

    Posthuman Feminism

  • -archaicstudio, Anja Dotter

    image [im-ij] \ ˈim-ij \

  • Jens Müller

    A5/10: Collecting Graphic Design – Die Archivierung des…

  • Judith Butler

    Sinn und Sinnlichkeit des Subjekts

  • Andrew Herscher, Daniel Bertrand Monk

    The Global Shelter Imaginary: IKEA Humanitarianism and…

  • Matthew Hockenberry, Nicole…

    Assembly Codes. The Logistics of Media

  • Elizabeth A. Povinelli

    Between Gaia and Ground: Four Axioms of Existence and the…

  • Rosa Barba

    On the Anarchic Organization of Cinematic Spaces

  • Marcus Quent

    Gegenwartskunst. Konstruktionen der Zeit

  • Napoleone Ferrari, Michelangelo Sabatino

    Carlo Mollino. Architect and Storyteller

  • Stefan Jung / Marcus Stiglegger (Hrsg.)

    Berlin Visionen. Filmische Stadtbilder seit 1980

  • Urban-Think Tank (Ed.)

    The Architect and the City: Ideology, Idealism, and…

  • Saâdane Afif

    Morceaux choisis – A Monograph

  • Birgit Schlieps, Hanne Loreck (Hg)

    Aktau. Bildphänomene einer Plattenbaustadt in der…

  • Anne König (Ed.)

    Jonas Mekas. I Seem to Live. The New York Diaries. Vol 2.…

  • John Robinson

    Famous for Fifteen People. The Songs of Momus 1982-1995

  • Linda Peake, Elsa Koleth, Gokboru Sarp…

    A Feminist Urban Theory for Our Time. Rethinking Social…

  • Stephan Lanz

    Das Regieren der Favela. Gewaltherrschaft, Populärkultur…

  • Tom Avermaete, Janina Gosseye

    Urban Design in the 20th Century. A History

  • Moisés Puente (Ed.)

    Lacaton & Vassal. Free space, transformation, habiter

  • Anselm Franke, Heinz Emigholz, HKW (Eds…

    Counter Gravity - Die Filme von Heinz Emigholz

  • Maryam Jafri, Nina Tabassomi

    Maryam Jafri. Independence Days

  • Adam Pendleton, Alec Mapes-Frances (Eds…

    Adam Pendleton. Pasts, Futures, and Aftermaths: Revisiting…

  • Georg W. Bertram, Stefan Deines, Daniel…

    Die Kunst und die Künste. Ein Kompendium zur Kunsttheorie…

  • Wolfgang Fuhrmann, Claus-Steffen…

    Perspektiven der Musikphilosophie

  • Judith Butler

    Marx ökologisch. Pariser Marxlektüren

  • Beate Bartel, Gudrun Gut, Bettina…

    M_Dokumente. Mania D., Malaria!, Matador

  • Matthias Brunner, Maren Harnack,…

    Transformative Partizipation. Strategien für den…

  • Franco “Bifo” Berardi

    The Third Unconscious The Psychosphere in the Viral Age

  • Sara Ahmed

    Complaint!

  • Susan Stewart

    The Ruins Lesson. Meaning and Material in Western Culture

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 245. Fassadenmanifest

  • Shannon Mattern

    A City Is Not a Computer Other Urban Intelligences

  • Leslie Kern

    Feminist City. Claiming Space in a Man-Made World

  • Louise Schouwenberg & Michael…

    The Auto-Ethnographic Turn in Design

  • Yuk Hui

    Art and Cosmotechnics

  • B. Cannon Ivers (ed.)

    250 Things a Landscape Architect Should Know

  • Esther Anatolitis

    Place, Practice, Politics

  • Alexander Steffen

    Vanishing Berlin

  • Philipp Meuser

    Architektur in Afrika. Bautypen und Stadtformen südlich der…

  • Alex Head

    Ricochet. Cultural Epigenetics and the Philosophy of Change

  • Ulrich Gutmair

    The First Days of Berlin. The Sound of Change

  • Kateryna Botonova and Quinn Latimer (…

    Amazonia. Cosmology as Anthology

  • Edward Tufte

    The Visual Display of Quantitative Information

  • Edward R. Tufte

    Beautiful Evidence

  • Edward R. Tufte

    Visual Explanations. Images and Quantities, Evidence and…

  • McKenzie Wark

    Das Kapital ist tot

  • Rein Raud

    Being in Flux: A Post-Anthropocentric Ontology of the Self

  • Bruno Latour

    After Lockdown. A Metamorphosis

  • hg. von Giovanna Zapperi

    Carla Lonzi. Selbstbewusstwerdung. Texte zu Kunst und…

  • Helmut Draxler

    Die Wahrheit der Niederländischen Malerei. Eine Archäologie…

  • Walter Scheiffele, Steffen Schuhmann (…

    Karl Clauss Dietel. Die offene Form

  • Tinatin Gurgenidze (Ed.)

    Eastern Block Stories. Visualising Housing Estates from…

  • Édouard Glissant

    Philosophie der Weltbeziehung. Poesie der Weite

  • Kirsty Bell

    Gezeiten der Stadt. Eine Geschichte Berlins

  • Doris Kleilein, Friederike Meyer (Hrsg.)

    Die Stadt nach Corona

  • Claude Lichtenstein

    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 2

  • Claude Lichtenstein

    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 1

  • Jesko Fezer & Studio…

    (How) do we (want to) work (together) (as (socially engaged…

  • Melissa Canbaz, Künstlerhaus Bremen (Ed…

    Aleana Egan. small field

  • Milos Kosec, Neja Tomsic, Martin…

    Nonument

  • C.L.R. James

    Die Schwarzen Jakobiner. Toussaint Louverture und die…

  • bell hooks

    Feminismus für alle

  • Alfred Weidinger (Hrsg.)

    PROOF OF ART. A short history of NFTs from the beginning of…

  • Florian Schmidt

    Wir holen uns die Stadt zurück. Wie wir uns gegen…

El Alto. Freddy Mamani Silvestre

EL ALTO zeigt die fantastische Architektur von Freddy Mamani Silvestre, die
auf 4100 Metern Höhe in Bolivien entstanden ist.
The Bolivian architect Freddy Mamani Silvestre doesn’t have an office, use a computer, or draw formal blueprints. He sketches his plans on a wall or transmits them orally to his associates. Since 2005, Mamani and his firm have completed sixty projects in El Alto, the world’s highest city, which sits at nearly fourteen thousand feet, on an austere plateau above La Paz. In the past twenty years, the economy there has burgeoned, along with an enterprising, mostly indigenous population. Mamani earned his fame building mixed-use dream houses for the city’s nouveaux riches.
Like most of his clients, and like some 1.6 million of his fellow-citizens, Mamani is an Aymara. His people have been subject to successive waves of conquest and dispossession, first by the Inca, then by the Spanish. As a young man, he worked in construction; in his early twenties, he earned a degree in civil engineering, against the advice of his family. “It’s a career for the rich,” they told him. Architecture, too, is a career for the rich. But Mamani has made an advantage of his outsider status; he designs in an Aymara vernacular of his own invention.
Each of his houses has a futuristic façade, a commercial ground floor with jazzy shop fronts, a baroque party hall on the mezzanine, a story or two of apartments, and an owner’s penthouse. This aerie is sometimes called a cholet, a pun on the words “chalet” and “cholo”—a dismissive racial epithet that cholos like Mamani have proudly embraced. Mamani’s architecture incorporates circular motifs from Aymara weaving and ceramics and the neon colors of Aymara dress, and it alludes to the staggered planes of Andean temples. But it has also been inspired by science fiction, particularly by the Transformer movies. It might be called, like the second film in the saga, “Revenge of the Fallen.”
http://www.newyorker.com/project/portfolio/high-aspirations
http://www.granser.de/news.html


Peter Granser
El Alto. Freddy Mamani Silvestre
Edition Taube, 2016, 978-3-945900-05-5