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  • David Graeber, David Wengrow

    Anfänge. Eine neue Geschichte der Menschheit

  • Natasha Ginwala, Gal Kirn, Niloufar…

    Nights of the Dispossessed: Riots Unbound

  • Patrick Syme, Abraham Gottlob Werner

    Werners Nomenklatur der Farben. Angepasst an Zoologie,…

  • Carla Lonzi

    Self-portrait

  • Wolfgang Tillmans

    Schall ist flüssig (mumok)

  • Kolja Möller (Hg)

    Populismus. Ein Reader

  • Alexander Kluge

    Das Buch der Kommentare. Unruhiger Garten der Seele

  • Alexander Kluge

    Zirkus / Kommentar

  • Natalie Donat-Cattin

    Collective Processes. Counterpractices in European…

  • Philipp Schönthaler

    Die Automatisierung des Schreibens & Gegenprogramme der…

  • Marie Rotkopf, Marcus Steinweg

    Fetzen. Für eine Philosophie der Entschleierung

  • Alan Licht

    Common Tones. Selected Interviews with Artists and…

  • Barbara Penner, Adrian Forty, Olivia…

    Extinct. A Compendium of Obsolete Objects

  • Stephan Geene

    Freiheit 71. Ricky Shayne, Musik und die Materialität des…

  • Stephan Gregory

    Die kühle Kamera. Witz und Melancholie der seriellen…

  • Philipp Ekardt

    Benjamin on Fashion

  • Laurie Cluitmans (Ed.)

    On The Necessity Of Gardening. An Abc Of Art, Botany And…

  • Aljosa Dekleva (Ed.)

    AA nanotourism Visiting School: Vienna, Austria 2020

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    Mix & Stir. New Outlooks on Contemporary Art from…

  • Arno Brandlhuber, Florian Hertweck,…

    The Dialogic City. Berlin wird Berlin

  • Martin Barner

    Tools for Men-with-Feminist-Ambitions

  • Astrid Deuber-Mankowsky, Philipp Hanke…

    Queeres Kino / Queere Ästhetiken als Dokumentationen des…

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    Wohnen zwischen Markt, Staat und Gesellschaft. Ein…

  • Moisés Puente (Ed.)

    2G 83. Smiljan Radic

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    Training for the Future. Handbook

  • Andrej Holm

    Objekt der Rendite. Zur Wohnungsfrage und was Engels noch…

  • Vanessa Grossman, Ciro Miguel (Hg)

    Everyday Matters. Contemporary Approaches to Architecture

  • Karin Berkemann (Hg.)

    Das Ende der Moderne? Unterwegs zu einer…

  • Amber Husain

    Replace Me

  • IDEA Magazine

    IDEA 396. Explore Color Design. Digital Color and the…

  • Lisa Beißwanger

    Performance on Display. Zur Geschichte lebendiger Kunst im…

  • Janne Gärtner, Anne Waak

    Aus einem Land vor unserer Zeit. Die Kinder von Kleinwelka

  • Sven Quadflieg

    Mit erhobener Faust. Die Ästhetik des Protests und die…

  • Rosi Braidotti

    Posthuman Feminism

  • -archaicstudio, Anja Dotter

    image [im-ij] \ ˈim-ij \

  • Jens Müller

    A5/10: Collecting Graphic Design – Die Archivierung des…

  • Judith Butler

    Sinn und Sinnlichkeit des Subjekts

  • Andrew Herscher, Daniel Bertrand Monk

    The Global Shelter Imaginary: IKEA Humanitarianism and…

  • Matthew Hockenberry, Nicole…

    Assembly Codes. The Logistics of Media

  • Elizabeth A. Povinelli

    Between Gaia and Ground: Four Axioms of Existence and the…

  • Rosa Barba

    On the Anarchic Organization of Cinematic Spaces

  • Marcus Quent

    Gegenwartskunst. Konstruktionen der Zeit

  • Napoleone Ferrari, Michelangelo Sabatino

    Carlo Mollino. Architect and Storyteller

  • Stefan Jung / Marcus Stiglegger (Hrsg.)

    Berlin Visionen. Filmische Stadtbilder seit 1980

  • Urban-Think Tank (Ed.)

    The Architect and the City: Ideology, Idealism, and…

  • Saâdane Afif

    Morceaux choisis – A Monograph

  • Birgit Schlieps, Hanne Loreck (Hg)

    Aktau. Bildphänomene einer Plattenbaustadt in der…

  • Anne König (Ed.)

    Jonas Mekas. I Seem to Live. The New York Diaries. Vol 2.…

  • John Robinson

    Famous for Fifteen People. The Songs of Momus 1982-1995

  • Linda Peake, Elsa Koleth, Gokboru Sarp…

    A Feminist Urban Theory for Our Time. Rethinking Social…

  • Stephan Lanz

    Das Regieren der Favela. Gewaltherrschaft, Populärkultur…

  • Tom Avermaete, Janina Gosseye

    Urban Design in the 20th Century. A History

  • Moisés Puente (Ed.)

    Lacaton & Vassal. Free space, transformation, habiter

  • Anselm Franke, Heinz Emigholz, HKW (Eds…

    Counter Gravity - Die Filme von Heinz Emigholz

  • Maryam Jafri, Nina Tabassomi

    Maryam Jafri. Independence Days

  • Adam Pendleton, Alec Mapes-Frances (Eds…

    Adam Pendleton. Pasts, Futures, and Aftermaths: Revisiting…

  • Georg W. Bertram, Stefan Deines, Daniel…

    Die Kunst und die Künste. Ein Kompendium zur Kunsttheorie…

  • Wolfgang Fuhrmann, Claus-Steffen…

    Perspektiven der Musikphilosophie

  • Judith Butler

    Marx ökologisch. Pariser Marxlektüren

  • Beate Bartel, Gudrun Gut, Bettina…

    M_Dokumente. Mania D., Malaria!, Matador

  • Matthias Brunner, Maren Harnack,…

    Transformative Partizipation. Strategien für den…

  • Franco “Bifo” Berardi

    The Third Unconscious The Psychosphere in the Viral Age

  • Sara Ahmed

    Complaint!

  • Susan Stewart

    The Ruins Lesson. Meaning and Material in Western Culture

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 245. Fassadenmanifest

  • Shannon Mattern

    A City Is Not a Computer Other Urban Intelligences

  • Leslie Kern

    Feminist City. Claiming Space in a Man-Made World

  • Louise Schouwenberg & Michael…

    The Auto-Ethnographic Turn in Design

  • Yuk Hui

    Art and Cosmotechnics

  • B. Cannon Ivers (ed.)

    250 Things a Landscape Architect Should Know

  • Esther Anatolitis

    Place, Practice, Politics

  • Alexander Steffen

    Vanishing Berlin

  • Philipp Meuser

    Architektur in Afrika. Bautypen und Stadtformen südlich der…

  • Alex Head

    Ricochet. Cultural Epigenetics and the Philosophy of Change

  • Ulrich Gutmair

    The First Days of Berlin. The Sound of Change

  • Kateryna Botonova and Quinn Latimer (…

    Amazonia. Cosmology as Anthology

  • Edward Tufte

    The Visual Display of Quantitative Information

  • Edward R. Tufte

    Beautiful Evidence

  • Edward R. Tufte

    Visual Explanations. Images and Quantities, Evidence and…

  • McKenzie Wark

    Das Kapital ist tot

  • Rein Raud

    Being in Flux: A Post-Anthropocentric Ontology of the Self

  • Bruno Latour

    After Lockdown. A Metamorphosis

  • hg. von Giovanna Zapperi

    Carla Lonzi. Selbstbewusstwerdung. Texte zu Kunst und…

  • Helmut Draxler

    Die Wahrheit der Niederländischen Malerei. Eine Archäologie…

  • Walter Scheiffele, Steffen Schuhmann (…

    Karl Clauss Dietel. Die offene Form

  • Tinatin Gurgenidze (Ed.)

    Eastern Block Stories. Visualising Housing Estates from…

  • Édouard Glissant

    Philosophie der Weltbeziehung. Poesie der Weite

  • Kirsty Bell

    Gezeiten der Stadt. Eine Geschichte Berlins

  • Doris Kleilein, Friederike Meyer (Hrsg.)

    Die Stadt nach Corona

  • Claude Lichtenstein

    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 2

  • Claude Lichtenstein

    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 1

  • Jesko Fezer & Studio…

    (How) do we (want to) work (together) (as (socially engaged…

  • Melissa Canbaz, Künstlerhaus Bremen (Ed…

    Aleana Egan. small field

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    Nonument

  • C.L.R. James

    Die Schwarzen Jakobiner. Toussaint Louverture und die…

  • bell hooks

    Feminismus für alle

  • Alfred Weidinger (Hrsg.)

    PROOF OF ART. A short history of NFTs from the beginning of…

  • Florian Schmidt

    Wir holen uns die Stadt zurück. Wie wir uns gegen…

The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image

Eadweard Muybridge is among the seminal originators of the contemporary world’s visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge’s work, as a moving-image projectionist, who toured Europe’s cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World’s Columbian Exposition. That final invention of Muybridge’s was both an all-engulfing catastrophe and the vital precursor for the following century’s worldwide manias for projection. Based on entirely new research into Muybridge’s travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge’s driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World’s Exposition events and cinemas’ overheated projection-boxes.
The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge’s experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence.
The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge’s first conjurations of projection’s power for its spectators. Throughout, the book interrogates the strange figure of the projectionist, embodied first of all by Muybridge himself.
The Projectionists will attract and fascinate all lovers of cinemas, photography and moving-image cultures.


Stephen Barber
The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image
Diaphanes, 2020, 978-3-0358-0289-4
30,00 €