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  • Nicolas Nova & Disnovation.org

    Ein Bestiarium des Anthropozäns. Über hybride Mineralien,…

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    What We Do Is Secret. Contemporary Art and the Antinomies…

  • Pia Pol, Astrid Vorstermans (Eds.)

    Future Book(s). Sharing Ideas on Books and (Art) Publishing

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    Smooth City. Against Urban Perfection, Towards Collective…

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    Decolonial Ecology. Thinking from the Caribbean World

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    Psychosomatik

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    A Culture of Building: Courtyard Houses in the Old City of…

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    Camille Henrot. Milkyways

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    Vestoj No 11 On Everyday Life

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    Orient. Rewriting the Future

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    Social Sauna – Bathing and Wellbeing

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    Baustelle Commune. Henri Lefebvre und die urbane Revolution…

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    Project Stories Volume 02: Architectural Practice Today

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    The Politics of Vibration. Music as a Cosmopolitical…

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    A Theory of Assembly. From Museums to Memes

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    Raving

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    2G 88. Carla Juaçaba

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    The Advanced School of Collective Feeling. Inhabiting…

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    Die Neuordnung der Küchen

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    Le Grand Cirque Calder 1927 DVD

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    Stilrevolte Underground. Die Alternativkultur als Agent der…

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    A Room With A View

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    Enfleshed. Ecologies of Entities and Beings

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    Productive Archiving. Artistic Strategies, Future Memories…

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    Graphic Design in the Post-Digital Age. A survey of…

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    Publishing as method. Ways of Working Together in Asia

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    IDEA 402. Opening paths with small press publishing:…

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    MACHT RAUM GEWALT. Planen und Bauen im Nationalsozialismus

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    Architecture's Theory

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    Queer Spaces. An Atlas of LGBTQIA+ Places and Stories

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    Reverse Cowgirl

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    Projecting Urbanity. Architecture for and against the City

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    Faux Mountains

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    Technologie und Race. Essays der Migration

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    Acid Detroit. A Psychedelic Story of Motor City

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    Arch+ 252. Open for Maintenance - Wegen Umbau geöffnet

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    Self Study. Notes on the Schizoid Condition

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    Wolfgang Tillmans. Reader

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    Ein Katzenbaum für die Kunst. A Cat-Tree for the Arts.…

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    Border Environments. Centre for Research Architecture

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    Laguna Vere

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    Magnetizdat DDR. Magnetbanduntergrund Ost 1979 - 1990

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    Adaptive Reuse in Architecture. A Typological Index

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    The Social Dimension of Social Housing

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    Gentrifizierung lässt sich nicht aufhalten und andere Lügen

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    Pauline Oliveros. Quantum Listening

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    Animal Architecture. Beasts, Buildings and Us

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    Dance Your Way Home: A Journey Through the Dancefloor

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    Colour Clash. Vibrant Colour Palettes in Graphic Design

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    Another Reading. Contemporary Book Design from China

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    Postsensual Aesthetics. On the Logic of the Curatorial

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    Adolf Loos. Ins Leere gesprochen

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    Arch+ 251. Unternehmen Architektur

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    Human after Man

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    architect, verb. The New Language of Building

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    Not-Forgetting. Contemporary Art and the Interrogation of…

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Selected Maria Lind Writing

Selections and responses by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr
Working in a number of contexts and capacities has shown Maria Lind to be a curator who, over time, has engaged in a rethinking of the art institution and the formats and methodologies connected with it, taking art itself as a starting point. Following on the various endgames outlined by institutional critique, Lind has forged paths out of hegemonic institutional regimes precisely by identifying other ways of working through them, from both inside and outside.
For Lind, writing is integral to her curatorial work. It is where she accounts for her decisions, explains her intention, justifies her interest, toys with new possibilities and develops new ideas, and recognizes historical precedents. It is where the craft of curating, already pointed out towards a public, finds another channel of articulation.
Selected Maria Lind Writing brings together twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.
The collection of essays spanning from 1997 to 2010 forms a tapestry of Lind's own interweaving interests, but also of those of a panel of readers invited by Lind to project their own concerns onto her corpus of writing. Essays on individual artists, monographic and group exhibitions, funding structures, new contexts and spatial paradigms, together comprise a rare opportunity to swivel a spotlight on its axis back towards a figure who always tries to aim it at what really matters.
Maria Lind is a curator and writer based in Stockholm. She was the director of the graduate program at the Center for Curatorial Studies, Bard College, 2008 to 2010. She was director of Iaspis in Stockholm 2005 to 2007 and from 2002 to 2004 was the director of Kunstverein München. From 1997 to 2001, Lind was curator at Moderna Museet in Stockholm, where she was responsible for Moderna Museet Projekt. She was co-curator of Manifesta 2 in 1998. Lind has contributed widely to magazines and other publications, as well as to numerous exhibition catalogues. She was the 2009 recipient of the Walter Hopps Award for Curatorial Achievement.
Design by Liam Gillick


Brian Kuan Wood (Hg.)
Selected Maria Lind Writing
Sternberg Press, 2010, 978-1-934105-18-4