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  • David Graeber, David Wengrow

    Anfänge. Eine neue Geschichte der Menschheit

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    Nights of the Dispossessed: Riots Unbound

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  • Carla Lonzi

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    Das Buch der Kommentare. Unruhiger Garten der Seele

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    Die Automatisierung des Schreibens & Gegenprogramme der…

  • Marie Rotkopf, Marcus Steinweg

    Fetzen. Für eine Philosophie der Entschleierung

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    Extinct. A Compendium of Obsolete Objects

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  • Philipp Ekardt

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    On The Necessity Of Gardening. An Abc Of Art, Botany And…

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  • Martin Barner

    Tools for Men-with-Feminist-Ambitions

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    Queeres Kino / Queere Ästhetiken als Dokumentationen des…

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    Wohnen zwischen Markt, Staat und Gesellschaft. Ein…

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    2G 83. Smiljan Radic

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    Objekt der Rendite. Zur Wohnungsfrage und was Engels noch…

  • Vanessa Grossman, Ciro Miguel (Hg)

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  • Amber Husain

    Replace Me

  • IDEA Magazine

    IDEA 396. Explore Color Design. Digital Color and the…

  • Lisa Beißwanger

    Performance on Display. Zur Geschichte lebendiger Kunst im…

  • Janne Gärtner, Anne Waak

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    Mit erhobener Faust. Die Ästhetik des Protests und die…

  • Rosi Braidotti

    Posthuman Feminism

  • -archaicstudio, Anja Dotter

    image [im-ij] \ ˈim-ij \

  • Jens Müller

    A5/10: Collecting Graphic Design – Die Archivierung des…

  • Judith Butler

    Sinn und Sinnlichkeit des Subjekts

  • Andrew Herscher, Daniel Bertrand Monk

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  • Elizabeth A. Povinelli

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  • Rosa Barba

    On the Anarchic Organization of Cinematic Spaces

  • Marcus Quent

    Gegenwartskunst. Konstruktionen der Zeit

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  • Saâdane Afif

    Morceaux choisis – A Monograph

  • Birgit Schlieps, Hanne Loreck (Hg)

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  • Anne König (Ed.)

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  • John Robinson

    Famous for Fifteen People. The Songs of Momus 1982-1995

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    A Feminist Urban Theory for Our Time. Rethinking Social…

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  • Tom Avermaete, Janina Gosseye

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    Perspektiven der Musikphilosophie

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    M_Dokumente. Mania D., Malaria!, Matador

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  • Franco “Bifo” Berardi

    The Third Unconscious The Psychosphere in the Viral Age

  • Sara Ahmed

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  • Susan Stewart

    The Ruins Lesson. Meaning and Material in Western Culture

  • Arch+ Zeitschrift für Architektur und…

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  • Shannon Mattern

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  • Leslie Kern

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    The First Days of Berlin. The Sound of Change

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  • Edward Tufte

    The Visual Display of Quantitative Information

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  • Florian Schmidt

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Practicable. From Participation to Interaction in Contemporary Art

How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.
The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians as Claire Bishop, Thomas Hirschhorn, Matt Adams of Blast Theory, Seiko Mikami and Bruno Latour. Numerous illustrations of artists and their works accompany the text.
ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valérie Châtelet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Glória Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Véronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frédérik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Françoise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sánchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David Zerbib
Edited by Samuel Bianchini and Erik Verhagen with the collaboration of Nathalie Delbard and Larisa Dryansky.


Samuel Bianchini, Erik Verhagen (eds.)
Practicable. From Participation to Interaction in Contemporary Art
MIT Press , 2016, 978-0262034753