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  • Thomas Piketty

    Eine kurze Geschichte der Gleichheit

  • Mary Pepchinski, Christina Budde (eds.)

    Women Architects and Politics. Intersections between Gender…

  • Ayala Levin

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  • Chantal Akerman

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  • Casey Mack

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  • Moisés Puente

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  • James Bridle

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  • Günter Behnisch

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  • Werner Sobek

    non nobis - über das Bauen in der Zukunft. Band 1: Ausgehen…

  • Frank Barkow, Philip Ursprung, Ludwig…

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  • Alex Coles, Catharine Rossi (Eds.)

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  • Elizabeth Povinelli

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  • Volker Pantenburg

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    Heimat. Eine Gebrauchsanweisung

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    Mining Photography. Der ökologische Fussabdruck der…

  • Stefan Römer

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  • Harald R. Stühlinger

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  • Sue Spaid

    The Philosophy of Curatorial Practice: Between Work and…

  • Ehling, Grothus, Jung, Kemmerich (Hg)

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  • Mark Smoot

    HUTS. The Vanishing Rural Traditions and Vernacular…

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    Günther Domenig. Dimensional. In Resonanz. In Resonance. V…

  • Malte Uchtmann

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  • Hélène Frichot, Adrià Carbonell, Hannes…

    Infrastructural Love. Caring for Our Architectural Support…

  • Eldritch Priest

    Earworm and Event. Music, Daydreams, and Other Imaginary…

  • Ben Tarnoff

    Internet for the People. The Fight for Our Digital Future.…

  • Matthias Bernt

    The Commodification Gap. Gentrification and Public Policy…

  • Joseph Altshuler, Julia Sedlock

    Creatures Are Stirring. A Guide to Architectural…

  • Jason Toney (ed.)

    Take the City. Voices of Radical Municipalism

  • Domenico Quaranta

    Surfing with Satoshi. Art, Blockchain and NFTs

  • Marijke Goeting

    Fast, Fluid, Fragmented. Art and Design in the Digital Age

  • Francisco Moura Veiga (ed.)

    Typology of Intimacy. An Emotional Catalog of Booths

  • Sarah Demeuse (Ed.)

    Bande à part. On Independent Art Institutions

  • Angie Keefer (Ed.)

    Yale: History of an Art School

  • Victoria Horne, Lara Perry (eds)

    Feminism and Art History Now. Radical Critiques of Theory…

  • Justin Patch, Thomas Porcello

    Re-Making Sound: An Experiential Approach to Sound Studies

  • Niklas Maak

    Servermanifest. Architektur der Aufklärung: Data Center als…

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    Majalah lumbung. Documenta fifteen. A Magazine on…

  • Kirsten Marie Raahauge, Katrine Lotz,…

    Architectures of Dismantling and Restructuring. Spaces of…

  • Ludwig Mies van der Rohe

    Gesammelte Schriften

  • Katrin von Maltzahn

    Japan Guide. Ein Glossar mit 229 Wörtern / A Glossary of…

  • Aris Komporozos-Athanasiou

    Speculative Communities. Living with Uncertainty in a…

  • George Arbid, Philipp Oswalt

    Designing Modernity. Architecture in the Arab World 1945-…

  • Sascha Roesler

    City, Climate, and Architecture. A Theory of Collective…

  • IDEA Magazine

    IDEA 398. Ryoji Tanaka / Illuminating Graphics

  • Hinrichs, Tang, Haines (Eds.)

    shelf documents. art library as practice

  • Keita Noguchi

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  • Cristian Stefanescu (Ed.)

    Project Stories Volume 1. Architectural Practice Today

  • Mike Watson

    The Memeing of Mark Fisher

  • Drew Pendergrass, Troy Vettese

    Half-Earth Socialism. A Plan to Save the Future from…

  • Patric Furrer, Andreas Jud, Stefan…

    Digitalisierung und Architektur in Lehre und Praxis

  • Paul Hanford

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    World of Interiors

  • Boris Buden

    Transition to Nowhere. Art in History After 1989

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  • Albena Yaneva

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Rumored Animals

"Quinn Latimer's poems — distinctive, audacious, elemental, and unyielding — render the world with all its strangenesses intact and vitality restored, asserting the legitimacy of another, more primal vision at odds with the agreed-upon, one where 'mountains/ surround us with their animal/ prowl, throw back// their black capes/ and are done.' This is a thrilling, defiant, and heartening body of work."
—Timothy Donnelly, author of The Cloud Corporation
"Latimer draws on sources from contemporary photography and art … to develop a complex engagement with constructions of self and prevailing cultural determinations of the female and feminine. In rich, robust sounds and rhythms, the poet strives to recognize herself within surface and image, attempts to identify with the object of an outside gaze, figured as the looming presence of a brutally defining camera, and a discomfort at the fraught relation between herself as body and represented sign. Negotiating contradictory urges to conceal and reveal identity, Latimer allows a quiet refusal to come fully into view. This is an impressive debut."
—Publishers Weekly
Quinn Latimer is is a poet and critic. "Rumored Animals" is her first collection and casts a wide lyrical net. Limning and mining a series of evocative, disparate landscapes — the Southern California coast, the high desert of Far West Texas, New York’s brick canyons, and finally the Mittel-European reaches of Germany and Switzerland — Latimer tasks these places with the procedures of the critical mind and the movements of the sensual body. Her contemporary lyric poems move from starkly personal elegies to essayistic examinations of the lives and works of writers and artists including Ingeborg Bachmann, Donald Judd, Agnes Martin, Robert Walser, Francesca Woodman, and Virginia Woolf. Through both bodies of poems runs the central image of the animal — its idea, its fact — and a fervent, feverish anthropomorphism that at once haunts and illuminates the writing at hand.


Quinn Latimer
Rumored Animals
Dream Horse Press, 2012, 978-1-935716-13-6